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One of England's greatest Victorian architectural practices was based, not in London, but in the relatively quiet town of Lancaster. For just over a century the leading practice in the area was that of Sharpe, Paley and Austin. It was founded, just at the start of the Victorian Gothic Revival, by the remarkable, multi-talented Edmund Sharpe - architect, engineer, businessman, politician and winner of the Royal Institute of British Architect's Royal Gold Medal for his work in architectural history. E G Paley developed the practice and took on in 1867 the man who elevated it to greatness - Hubert Austin, described as an architect of genius by Pevsner. The firm established a national reputation...
A collection of parish maps of every county of England and Wales; each map being a reproduction of a topographical map from James Bell's A New and Comprehensive Gazetteer of England and Wales of 1834. Also contains an index to the whereabouts of those records to which the maps refer.
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This four-volume collection of primarily newly transcribed manuscript material brings together sources from both sides of the Atlantic and from a wide variety of regional archives. It is the first collection of its kind, allowing comparisons between the development of the family in England and America during a time of significant change. Volume 3: Managing Families, I The sources included here document the economics of running a household, the experience of being a sibling and information on family inheritance and genealogy. Specifics on home economics include information on food and cooking, washing laundry, insurance inventories and plantation accounts.
Public Sculpture of Greater Manchester is a complete catalog and illustrated guide to all of Greater Manchester's public sculptures and monuments. Manchester historian Terry Wyke provides detailed individual entries for each sculpture featured, including information about the artist and the commissioning agent, date of installation, and the sculpture's historical and artistic significance. More than 350 black-and-white photographs reveal the diversity and beauty of Manchester's many public monuments. The eighth volume in Liverpool University Press's highly acclaimed and prize-winning Public Sculpture of Britain series, Public Sculpture of Greater Manchester will be an incomparable resource for both armchair and actual travelers, as well as for English historians and art scholars alike. "These are excellent volumes in an outstanding and continuing series, one of the most original and important such projects under way. They set an international standard for the recording and publication of public sculpture."—Judging panel, 2003 William MB Berger Prize for British Art History, on the Public Sculpture of Britain series
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