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"Primitivismus als Anthropologie" bricht mit der herrschenden Meinung, die Aneignungen vermeintlich primitiver Objekte in de Kunst der klassischen Moderne in Frankreich habe im Bann ihrer furchterregenden Andersheit und besonderen Primitivität stattgefunden. Vielmehr läßt sich zeigen, daß in Frankreich um 1900 eine visuelle Praxis des kulturellen Vergleichens gang und gäbe war, die mittelalterliche Kunst, japanische, ägyptische, archaisch-antike, sumerische, iberische, afrikanische, ozeanische und viele andere Kulturen auf eine Stufe stellt und gerade nach den Gemeinsamkeiten fragt. Den beiden Protagonisten der klassischen Moderne, Henri Matisse und Pablo Picasso ging es weniger um die...
Although he never set foot in Africa, Picasso had a passion for African art. Throughout the course of his life, he assembled a unique collection of statues and masks. Comprising more than 120 objects, Picasso's private collection can now be found in museums in Paris such as the Louvre, Musee Quai Branly and the Musee Picasso, as well as in the private collections of members of Picasso's family. This beautiful book documents the entire collection and examines it as a whole. It features documentary photographs, a section of stunning colour plates, and detailed ethnographic descriptions of each piece, providing a full account of Picasso's relationship with African and Oceanic art. This importan...
Georg (1715-1800) and Michael Haps (1722-1787) were born in Neudorf, the Palatinate (now Germany). They immigrated to America with their families in 1751 and settled in Pennsylvania. Descendants, spelling the surname Happes, to 1800 lived in Pennsylvania and North and South Carolina. Includes ancestors in Germany to the 1600's and Switzerland to the 1400's.
Henri Matisse (1869-1954) is adored worldwide as a revolutionary painter and loved for his collages, or papiers découpés, the icons of his late work. His work in painting and drawing for a long time overshadowed his achievements as a sculptor. Yet his Back Series, four bas-reliefs created between 1908 and 1930, are revered as a milestone in modern sculpture. Starting out from a naturalistic depiction, Matisse gradually transformed it to reach a radically abstracted figure. Each of the four original plaster casts represents a decisive moment of this artistic process. This transformative process has parallels in Matisse's painting and drawing. Published in conjunction with a major exhibition...
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