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Beatrice Cenci was executed in Rome in September 1599: she was said to be sixteen, and was hauntingly beautiful. Her crime was the murder of her father, a member of one of the greatest Roman families, but his cruel treatment of her, including incestuous rape, moved the people of the city to take her side. Weeping crowds lined the streets, and a special mass is still said in Rome on the anniversary of her death. She was at once innocent and guilty, the victim and the perpetrator of appalling crimes. From that time since, the ambivalent image of Beatrice has attracted writers and artists, and often their obsession with her fed their own self-destruction. In this compelling study, Belinda Jack ...
This book examines the influence of the early modern period on Antonin Artaud’s seminal work The Theatre and Its Double, arguing that Elizabethan and Jacobean drama and their early modern context are an integral part of the Theatre of Cruelty and essential to its very understanding. The chapters draw links between the early modern theatrical obsession with plague and regeneration, and how it is mirrored in Artaud’s concept of cruelty in the theatre. As a discussion of the influence of Shakespeare and his contemporaries on Artaud, and the reciprocal influence of Artaud on contemporary interpretations of early modern drama, this book is an original addition to both the fields of early modern theatre studies and modern drama.
In a near future whan the tulyie atween rationalism an releegious fundamentalism haes been focht tae a staunstill, Braken Fences explores themes o identity, allegiance an freedom. Yince again there blank areas on the map. Ayont the parteetioned Borders, genetic experiments haes altered human senses, an Neanderthals mells wi bandits an Buddhist monks in the muntains o Central Asia. The scene is set for a tale o adventure an romance, and for the discovery, at lang last, o whit wey the Neanderthals dee'd oot. A bold uise o the Scots tongue tae express cultures an langages faur hyne frae Scotlan. Also available in Standard English, as 'Broken Fences'.
The Senecan Aesthetic surveys the multifarious ways in which Senecan tragedy has been staged, from the Renaissance up to the present day, and restores Seneca to a canonical position among the playwrights of antiquity, recognizing him as one of the most important, most revered, and most reviled.
Investigates the reasons for postmodern theory's fascination with theater
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