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Early Yiddish Epic
  • Language: en
  • Pages: 521

Early Yiddish Epic

Unlike most other ancient European, Near Eastern, and Mediterranean civilizations, Jewish culture surprisingly developed no early epic tradition: while the Bible comprises a broad range of literary genres, epic is not among them. Not until the late medieval period, Beginning in the fourteenth century, did an extensive and thriving epic tradition emerge in Yiddish. Among the few dozen extant early epics, there are several masterpieces, of which ten are translated into English in this volume. Divided between the religious and the secular, the book includes eight epics presented in their entirety, an illustrative excerpt from another epic, and a brief heroic prose tale.These texts have been chosen as the best and the most interesting representatives of the genre in terms of cultural history and literary quality: the pious “epicizing” of biblical narrative, the swashbuckling medieval courtly epic, Arthurian romance, heroic vignettes, intellectual high art, and popular camp.

The Poetic Edda
  • Language: en
  • Pages: 318

The Poetic Edda

This unique collection of essays applies significant critical approaches to the mythological poetry of the Poetic Edda, a principal source for Old Norse cosmography and the legends of Odin, Loki, and Thor. The volume also provides very useful introductions that sketch the critical history of the Eddas. By applying new theoretical approaches (feminist, structuralist, post-structuralist) to each of the major poems, this book yields a variety of powerful and convincing readings. Contributors to the collection are both young scholars and senior figures in the discipline, and are of varying nationalities (American, British, Australian, Scandinavian, and Icelandic), thus ensuring a range of interpretations from different corners of the scholarly community. The new translations included here make available for the first time to English-speaking students the intriguing methodologies that are currently developing in Scandinavia. An essential collection of scholarship for any Old Norse course, The Poetic Edda will also be of interest to scholars of Indo-European myth, as well as those who study the theory of myth.

University of Michigan Official Publication
  • Language: en
  • Pages: 28

University of Michigan Official Publication

None

Seeds
  • Language: en
  • Pages: 684

Seeds

  • Type: Book
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  • Published: 2001
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  • Publisher: Elsevier

Seeds: Ecology, Biogeography, and Evolution of Dormancy and Germination provides a working hypothesis of the ecological and environmental conditions under which carious kinds of seed dormancy have developed. It also presents the seed germination of morethan 3500 species of trees, shrubs, vines, and herbaceous species.

Climates
  • Language: en
  • Pages: 234

Climates

There are many different approaches to the study of past climates. This is well illustrated by the special publication of the Geological Society. The volume comprises seventeen papers which were presented at the Second European Palaeontological Congress held in Vienna in 1997. In this volume more than half the papers deal with the Quaternary. Despite the title I see no papers dealing with present climates.

Official Register of the United States
  • Language: en
  • Pages: 1300

Official Register of the United States

  • Type: Book
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  • Published: 1890
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  • Publisher: Unknown

None

Treatise on Geomorphology
  • Language: en
  • Pages: 6392

Treatise on Geomorphology

The changing focus and approach of geomorphic research suggests that the time is opportune for a summary of the state of discipline. The number of peer-reviewed papers published in geomorphic journals has grown steadily for more than two decades and, more importantly, the diversity of authors with respect to geographic location and disciplinary background (geography, geology, ecology, civil engineering, computer science, geographic information science, and others) has expanded dramatically. As more good minds are drawn to geomorphology, and the breadth of the peer-reviewed literature grows, an effective summary of contemporary geomorphic knowledge becomes increasingly difficult. The fourteen...

The Graphic Canon, Vol. 3
  • Language: en
  • Pages: 578

The Graphic Canon, Vol. 3

NOW A NEW YORK TIMES BESTSELLER! Publisher's Weekly "Best Summer Books of 2013" The Daily Beast's "Brainy Summer Beach Reads" The classic literary canon meets the comics artists, illustrators, and other artists who have remade reading in Russ Kick's magisterial, three-volume, full-color The Graphic Canon, volumes 1, 2, and 3. Volume 3 brings to life the literature of the end of the 20th century and the start of the 21st, including a Sherlock Holmes mystery, an H.G. Wells story, an illustrated guide to the Beat writers, a one-act play from Zora Neale Hurston, a disturbing meditation on Naked Lunch, Rilke's soul-stirring Letters to a Young Poet, Anaïs Nin's diaries, the visions of Black Elk, ...

The Disney Middle Ages
  • Language: en
  • Pages: 288

The Disney Middle Ages

  • Type: Book
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  • Published: 2012-12-10
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  • Publisher: Springer

For many, the middle ages depicted in Walt Disney movies have come to figure as the middle ages, forming the earliest visions of the medieval past for much of the contemporary Western (and increasingly Eastern) imagination. The essayists of The Disney Middle Ages explore Disney's mediation and re-creation of a fairy-tale and fantasy past, not to lament its exploitation of the middle ages for corporate ends, but to examine how and why these medieval visions prove so readily adaptable to themed entertainments many centuries after their creation. What results is a scrupulous and comprehensive examination of the intersection between the products of the Disney Corporation and popular culture's fascination with the middle ages.

Music and Performance in the Later Middle Ages
  • Language: en
  • Pages: 242

Music and Performance in the Later Middle Ages

  • Type: Book
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  • Published: 2012-12-28
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  • Publisher: Springer

This book seeks to understand the music of the later Middle Ages in a fuller perspective, moving beyond the traditional focus on the creative work of composers in isolation to consider the participation of performers and listeners in music-making.