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The Early Black-Figured Pottery of Attika in Context (c. 630-570 BCE)
Based on the archaeological context of the vessels, this book offers an overview of the production and distribution of early Attic black-figured pottery until the end of the first quarter of the sixth century B.C., aiming at an afresh approach to early Archaic Attika.
The Early Iron Age
This volume, the first of two dealing with the Early Iron Age deposits from the Athenian Agora, publishes the tombs from the end of the Bronze Age through the transition from the Middle Geometric to Late Geometric period. An introduction deals with the layout of the four cemeteries of the period, the topographical ramifications, periodization, and a synthesis of Athens in the Early Iron Age. Individual chapters offer a complete catalogue of the tombs and their contents, a full analysis of the burial customs and funerary rites, and analyses of the pottery and other small finds. Maria A. Liston presents the human skeletal material, Deborah Ruscillo presents the faunal remains, and Sara Strack contributes to the pottery typology and catalogue. In an appendix, Eirini Dimitriadou provides an overview of the locations of burial activity in the wider city.
Dionysos in Archaic Greece
An interpretation of the god Dionysos as seen by Greek vase painters before the golden age of classical culture, which will help understand his wide popularity beyond wine consumption, which lasted until the end of antiquity.
Athenian Potters and Painters
This volume presents the proceedings of the second Athenian Potters and Painters conference, which was held at the American School of Classical Studies, Athens 2007. Together with the 1994 conference (Volume I, Oxbow 1997), these are the first of their kind - focusing purely on Athenian pottery and addressing key aspects of its study. The thirty-two papers contained here are the result not only of a large amount of new material but also the dynamic appearance of a younger generation of scholars dealing with the subject. Subject areas range from the study of the potters and painters themselves, to shape, subject matter, chronology, export, excavation pottery, context, and the influence of Athenian vases on pottery from other regions of the Mediterranean and vice versa. Three papers in Greek.
Religion in the Art of Archaic and Classical Greece
"An examination of the combined subjects of ancient Greek art and religion, dealing with festivals, performance, rites of passage, and the archaeology of death, to name a few examples, to explore the visual, material, and textual dimensions of ancient Greek religion"--
The Athenians and Their Graves (1000–300 BC)
This book offers the first in-depth study of Attic funerary monuments during the geometric, archaic, and classical period. The analysis of forms, images and inscriptions shows, from an anthropological perspective, the Athenian attitude towards death in its fundamental difference to Christian occidental views. The book, which was originally published in German, is revised.
Attic Fine Pottery of the Archaic to Hellenistic Periods in Phanagoria
This publication of Attic fine pottery imported to the Greek colony of Phanagoria in the Taman Peninsula, southern Russia, explores the social function of imports in a colonial society, and the changing nature of Black Sea trade.
Vessels
What is a vessel? As objects made for human interaction and handling, both containing and bounded by space, vessels can take many forms and be constructed of a wide variety of materials. However, they are all unified in signifying a potential for practical functioning, whether or not a particular object is in fact used in this way in its particular context. In this second volume in the Visual Conversations in Art & Archaeology series, and the first in the Center for Global Ancient Art sub-series, four essays by leading scholars tackle the category of vessels in ancient Greece, late antique Rome, pre-Columbian Mesoamerica, and ancient China. By considering the material properties of the objec...
L'animal dans l'Antiquité
L'un a les flancs bleutes, l'autre la poitrine gluante; une nageoire pousse ici sur un dos, surgit la une queue; tantot la tete manque, tantot le reste; la main de celui-ci ondule, et celui-la reclame en hurlant ses pieds qui s'evanouissent. Introduisant a la polymorphie de l'animal, le frontispice, ainsi commente par Philostrate, est deploye a travers ce receuil qui explore la difference entre homme, animal et plante. De la medecine a la religion, en passant par les modeles et contre-modeles politiques, les metaphores et les fables, l'imagerie et la logique, textes et images y sont analyses. Car l'animal (dit-on meme animal en grec?) est l'un des lieux de polemique majeurs pour determiner les ruptures au sein de l'Antiquite greco-latine et mieux fixer les coupures entre Antiquite et Modernite.
Heroes
"This volume investigates the integral role of heroes in ancient Greek art and culture. More than a hundred statues, reliefs, vases, bronzes, coins, and gems drawn from European and American collections, illustrate the ways in which heroes were represented, why they were important in Greek culture, and what encouraged individuals to seek them out." --Book Jacket.
