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From the Land of the Midnight Sun
  • Language: en
  • Pages: 171

From the Land of the Midnight Sun

None

Register of Retired Commissioned and Warrant Officers, Regular and Reserve, of the United States Navy
  • Language: en
  • Pages: 832
Register of Retired Commissioned and Warrant Officers, Regular and Reserve, of the United States Navy and Marine Corps
  • Language: en
  • Pages: 844
Adressbuch Aller Länder Der Erde Der Kaufleute, Fabrikanten, Gewerbtreibenden, Gutsbesitzer Etc
  • Language: en
  • Pages: 1344
Official Register of the United States
  • Language: en
  • Pages: 1006

Official Register of the United States

  • Type: Book
  • -
  • Published: 1884
  • -
  • Publisher: Unknown

None

Public Health Service Publication
  • Language: en
  • Pages: 646

Public Health Service Publication

  • Type: Book
  • -
  • Published: 1970
  • -
  • Publisher: Unknown

None

Cleveland Fire Area Recovery Project
  • Language: en
  • Pages: 562

Cleveland Fire Area Recovery Project

  • Type: Book
  • -
  • Published: 1993
  • -
  • Publisher: Unknown

None

Proceedings of the Parliament of South Australia
  • Language: en
  • Pages: 946

Proceedings of the Parliament of South Australia

  • Type: Book
  • -
  • Published: 1877
  • -
  • Publisher: Unknown

None

A Legacy of Historical Gleanings
  • Language: en
  • Pages: 562

A Legacy of Historical Gleanings

Reprint of the original, first published in 1875.

Tangled Journeys
  • Language: en
  • Pages: 288

Tangled Journeys

In 1830 Richard Walpole Cogdell, a husband, father, and bank clerk in Charleston, South Carolina, purchased a fifteen-year-old enslaved girl, Sarah Martha Sanders. Before her death in 1850, she bore nine of his children, five of whom reached adulthood. In 1857, Cogdell and his enslaved children moved to Philadelphia, where he bought them a house and where they became, virtually overnight, part of the African American middle class. An ambitious historical narrative about the Sanders family, Tangled Journeys tells a multigenerational, multiracial story that is both traumatic and prosaic while forcing us to confront what was unseen, unheard, and undocumented in the archives, and thereby inviting us into the process of American history making itself.