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Tregenna Hill: Altars and Allegories are love poems cutting through and across the many layers of love: personal, historical, religious, and philosophical; an elegy to the beginnings and ends, to the untranslatable moments in time which contain all that is Good and Beautiful. At the altar before God and human intimacy, there remains the gentle yet brutal yoking of eros and agape with innocence, ecstasy, confession, newness, temporality, death, and surrender.
With Dostoyevsky’s Idiot and Aquinas’ Dumb Ox as guides, this book seeks to recover the elemental mystery of the natural law, a law revealed only in wonder. If ethics is to guide us along the way, it must recover its subordination; description must precede prescription. If ethics is to invite us along the way, it cannot lead, either as politburo, or even as public orthodoxy. It cannot be smugly symbolic but must be by way of signage, of directionality, of the open realization that ethical meaning is en route, pointing the way because it is within the way, as only sign, not symbol, can point to the sacramental terminus. The courtesies of dogma and tradition are the road signs and guideposts along the longior via, not themselves the termini. We seek the dialogic heart of the natural law through two seemingly contradictory voices and approaches: St. Thomas Aquinas and his famous five ways, and Fyodor Dostoyevsky’s holy idiot, Prince Myshkin. It is precisely the apparent miscellany of these selected voices that provide us with a connatural invitation into the natural law as subordinated, as descriptive guide, not as prescriptive leader.
This is a work of doing, of poesis, an enacting philosophy and theology through immediacy. It seeks to call to mind our original interrogative stance in Being, as did the Eleatic poem, the dialogic power of Plato, even Heidegger’s indwelling. Should the philosopher want to recover philosophical wonder, then this is the road to be traveled; thought needs raw unmanageable experience. Ordered thought dies without the first eventful taste of time briefly eclipsing Being, and Being thrusting time back down into supplication. Without this confrontation, the very measure of humans as the horizon between time and eternity, closer to angels, but neither angel nor fully animal, our thinking becomes ...
Does the figure of Christ provide philosophical reason with its ultimate philosophical challenge? What can thought as thought say about the picture of Christ in the Gospels? Gilson argues that the forgotten hermeneutic of perfection provides the key to a re-thinking of the fundamental categories of reason and faith. From a strictly philosophic perspective Gilson examines the figure of Christ in the gospels as a unique essence no longer either traceable or reducible to any contributing influences; so unique as to transcend while incorporating all comparative genera; so unique as to carry within itself not its own self-evidence but its own inescapability. The Philosophical Question of Christ e...
The discourse between nature and grace finds its linguistic and existential podium in the political condition of human beings. As Caitlin Smith Gilson shows, it is in this arena that the perennial territorial struggle of faith and reason, God and man, man and state, take place; and it is here that the understanding of the personal-as-political, as well as the political-as-personal, finds its meaning. And it is here, too, that the divine finds or is refused a home. Any discussion of “post-secular society” has its origins in this political dialogue between nature and grace, the resolution of which might determine not only a future post-secular society but one in which awe is re-united to a...
The loss of a real and heartfelt belief in God—and by “real” I mean an experience that is both steady and moving, ethereal though down-to-earth, sentimental but never trite—comes from an earlier more foundational loss, namely that of an ardent and directed desire for heaven, and more specifically, that paradisal longing for the resurrected life. This book seeks to recover the neglected nature of heaven, degraded into something “out-there” and unknown, degraded further into a vague wish for immortality and the often empty words of consolation. Or even worse, the almost comic book reduction of heaven to an earthly social(ist) paradise, the immanentization of the Christian eschaton....
This work is a meditation on the integral mystery of forgiveness as both impossible to achieve and yet necessary for salvation. We must forgive, yet we cannot. Through themes of loss, sin, love, and virtue in literature, art, poetry, and theology, Caitlin Smith Gilson shows us how the need for forgiveness is a universal longing that directs us to the very hope for eternal life. At the core of forgiveness resides the heart of Christ who alone can complete what is lacking in us yet so desired. In Christ, forgiveness becomes the impossible possibility.
Immediacy and Meaning seeks to approach the odd uneasiness at root in all metaphysical meaning; that the human knower attempts to mediate what cannot be mediated; that there is a pre-cognitive immemorial immediacy to Being that renders its participants irreducible, incommunicable and personal. The dilemma of metaphysics rests on the relationship between the spectator and the player, both as essential responses to the immediacy of Being. Immediacy and Meaning is an attempt to pause, but without retreat, to be a spectator within the game, to gain access into this immediate Presence, for a moment only perhaps, before the signatory failure into metaphysical language returns us to the mediated. J. K. Huysman's semi-autobiographical tetralogy anchors this book as a meditation, neither purely poetic nor only philosophical; it claims a unique territory when attempting to speak what cannot be spoken. The unnerving merits of nominalism, the difficulties of an honest appraisal of efficacious prayer, the mad sanity of the muse, the relationship between the uncreated and the created, and an originary ethics of antagonism, each serves to clarify the formation of a new epistemology.
The loss of a real and heartfelt belief in God--and by "real" I mean an experience that is both steady and moving, ethereal though down-to-earth, sentimental but never trite--comes from an earlier more foundational loss, namely that of an ardent and directed desire for heaven, and more specifically, that paradisal longing for the resurrected life. This book seeks to recover the neglected nature of heaven, degraded into something "out-there" and unknown, degraded further into a vague wish for immortality and the often empty words of consolation. Or even worse, the almost comic book reduction of heaven to an earthly social(ist) paradise, the immanentization of the Christian eschaton. The vague...