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Tregenna Hill
Tregenna Hill: Altars and Allegories are love poems cutting through and across the many layers of love: personal, historical, religious, and philosophical; an elegy to the beginnings and ends, to the untranslatable moments in time which contain all that is Good and Beautiful. At the altar before God and human intimacy, there remains the gentle yet brutal yoking of eros and agape with innocence, ecstasy, confession, newness, temporality, death, and surrender.
Subordinated Ethics
With Dostoyevsky's Idiot and Aquinas' Dumb Ox as guides, this book seeks to recover the elemental mystery of the natural law, a law revealed only in wonder. If ethics is to guide us along the way, it must recover its subordination; description must precede prescription. If ethics is to invite us along the way, it cannot lead, either as politburo, or even as public orthodoxy. It cannot be smugly symbolic but must be by way of signage, of directionality, of the open realization that ethical meaning is en route, pointing the way because it is within the way, as only sign, not symbol, can point to the sacramental terminus. The courtesies of dogma and tradition are the road signs and guideposts along the longior via, not themselves the termini. We seek the dialogic heart of the natural law through two seemingly contradictory voices and approaches: St. Thomas Aquinas and his famous five ways, and Fyodor Dostoyevsky's holy idiot, Prince Myshkin. It is precisely the apparent miscellany of these selected voices that provide us with a connatural invitation into the natural law as subordinated, as descriptive guide, not as prescriptive leader.
Rhapsody and Redolence
This is a work of doing, of poesis, an enacting philosophy and theology through immediacy. It seeks to call to mind our original interrogative stance in Being, as did the Eleatic poem, the dialogic power of Plato, even Heidegger’s indwelling. Should the philosopher want to recover philosophical wonder, then this is the road to be traveled; thought needs raw unmanageable experience. Ordered thought dies without the first eventful taste of time briefly eclipsing Being, and Being thrusting time back down into supplication. Without this confrontation, the very measure of humans as the horizon between time and eternity, closer to angels, but neither angel nor fully animal, our thinking becomes ...
The Philosophical Question of Christ
Does the figure of Christ provide philosophical reason with its ultimate philosophical challenge? What can thought as thought say about the picture of Christ in the Gospels? Gilson argues that the forgotten hermeneutic of perfection provides the key to a re-thinking of the fundamental categories of reason and faith. From a strictly philosophic perspective Gilson examines the figure of Christ in the gospels as a unique essence no longer either traceable or reducible to any contributing influences; so unique as to transcend while incorporating all comparative genera; so unique as to carry within itself not its own self-evidence but its own inescapability. The Philosophical Question of Christ e...
The Political Dialogue of Nature and Grace
The discourse between nature and grace finds its linguistic and existential podium in the political condition of human beings. As Caitlin Smith Gilson shows, it is in this arena that the perennial territorial struggle of faith and reason, God and man, man and state, take place; and it is here that the understanding of the personal-as-political, as well as the political-as-personal, finds its meaning. And it is here, too, that the divine finds or is refused a home. Any discussion of “post-secular society” has its origins in this political dialogue between nature and grace, the resolution of which might determine not only a future post-secular society but one in which awe is re-united to a...
As It Is in Heaven
The loss of a real and heartfelt belief in God—and by “real” I mean an experience that is both steady and moving, ethereal though down-to-earth, sentimental but never trite—comes from an earlier more foundational loss, namely that of an ardent and directed desire for heaven, and more specifically, that paradisal longing for the resurrected life. This book seeks to recover the neglected nature of heaven, degraded into something “out-there” and unknown, degraded further into a vague wish for immortality and the often empty words of consolation. Or even worse, the almost comic book reduction of heaven to an earthly social(ist) paradise, the immanentization of the Christian eschaton....
Sensing the Sacred
This book offers a theological vision of learning informed by the mystagogical homilies of Ambrose of Milan, Cyril of Jerusalem, John Chrysostom, and Theodore of Mopsuestia. In dialogue with these four mystagogues, Hanna Lucas walks through the rites and liturgy surrounding baptism and the eucharist in order to establish a theological epistemology that sees knowledge as part of the “capacitation” of our nature for heavenly mysteries and union with God. The sacraments of initiation teach us that even the mundane aspects of knowledge, including the rudiments of matter and sensation, fit into a larger divine gift of capacitation. This book offers a holistic and integrated theory of knowledg...
Will & Love
Will & Love examines four of Shakespeare’s love plays (Romeo and Juliet, Troilus and Cressida, Twelfth Night, and Antony and Cleopatra) in light of the Augustinian psychology at the heart of the theological romance tradition. This tradition, which Shakespeare inherits from medieval theologian-poets such as Boethius, Dante, Petrarch, and Chaucer, issues from the idea, initially expressed by Augustine in his Confessions, that love functions as volitional weight, as a kind of magnetism or almost-gravitational force—that it moves the lover in mysterious ways yet without diminishing his or her agency. Will & Love highlights Shakespeare’s conception of love in terms of motion and explores the metaphysical, ethical, psychological, and dramatic implications of his doing so.
Exorcising Philosophical Modernity
What should Christian discourse look like after philosophical modernity? In one manner or another the essays in this volume seek to confront and intellectually exorcise the prevailing elements of philosophical modernity, which are inherently transgressive disfigurations and refigurations of the Christian story of creation, sin, and redemption. To enact these various forms and styles of Christian intellectual exorcism the essays in this volume make appeal to, and converse with, the magisterial corpus of Cyril O’Regan. The themes of the essays center around the gnostic return in modernity, apocalyptic theology, and the question of the bounds and borders of Christian orthodoxy. Along the way diverse figures are treated such as: Hegel, Shakespeare, von Balthasar, Przywara, Ricouer, Deleuze, Merleau-Ponty, and Kristeva. Exorcising Philosophical Modernity: Cyril O’Regan and Christian Discourse after Modernity is a veritable feast of post-modern Christian thought.
