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This book is at once the story of a "white" mixed-race woman in a "black" world and the story of a "black" mixed-race woman seeking forbidden love in a "white" world. But the story is not a question of white blood or black blood, man's blood or woman's blood. Rather it is the blood of a passion for living, the passion that runs in the blood of those who are capable of loving life itself.
Cowbellion explores the origins of America's Mardi Gras traditions, beginning with the Cowbellion de Rakin society, the first mystic parading organization. Following the lives of Michael Krafft, the "First Cowbellion," and his family., Cowbellion tells the story of the world around them in antebellum Mobile, New Orleans and the ports of the northeast. Masked balls, Slaves, Creoles, and Yellow Fever., this was all new to the Krafft family and thousands of others who came toDeep South in the 1820's and 1830's, to be at thecenter of the booming international cotton trade.Out of their experiences, a new tradition of festivity was born."
Beautiful Mobile, Alabama, on the Gulf of Mexico, has a colorful history dating back to its founding in 1702. Few photographers have captured the essence of Mobile-its people, places, and events-to the extent of master photographer William Ernest Wilson. Wilson's photography vividly depicts Mobile life at the turn of the twentieth century and is the subject of this engaging visual journey. From nationally elected officials such as Theodore Roosevelt to local Mardi Gras royalty, from entrepreneur Gordon Smith of Smith's Bakery to Africa Town founder Cudjoe Lewis, from a stately cathedral to country churches, from thriving banks and theaters to lumber yards and banana docks, the people and pla...
They Say the Wind Is Red is the moving story of the Choctaw Indians who managed to stay behind when their tribe was relocated in the 1830s. Throughout the 1800s and 1900s, they had to resist the efforts of unscrupulous government agents to steal their land and resources. But they always maintained their Indian communities—even when government census takers listed them as black or mulatto, if they listed them at all. The detailed saga of the Southwest Alabama Choctaw Indians, They Say the Wind Is Red chronicles a history of pride, endurance, and persistence, in the face of the abhorrent conditions imposed upon the Choctaw by the U.S. government.
Amos's study delineates the basis for Mobile's growth and the ways in which residents and their government promoted growth and adapted to it.
"Meticulously researched, highly readable, profusely illustrated, and broadly focused . . . unquestionably the most significant work ever written about the Arkansas Post." --Carl Brasseaux
The "iron lace" that graces the businesses, homes, squares, and cemeteries of Mobile, Alabama, is as vital a part of that southern port city as it is of New Orleans, Charleston, and Savannah. Until now, its story has never been fully told. In this attractive volume, John S. Sledge's rich narrative, combined with evocative historic images and Sheila Hagler's stunning contemporary photographs, eloquently conveys as never before how ornamental cast iron defines Mobile's heart and soul. Cast iron was the wonder of the Victorian age, according to Sledge. In Mobile, the material's diverse applications were on display in hulking locomotives and boilers, flamboyant fountains, imposing fences, and en...
To say that Mobile has a rich history is like saying Nashville has a few musicians. The port city has a rich heritage dating back to the 1700's. The oldest city in Alabama, Mobile has seen the rule of the Spanish, the French, the British, the United States, the Confederacy, and the United States again. Mobile was celebrating Mardi Gras before New Orleans. Some of the last fighting of the Civil War took place on a hill outside the city, after Appomattox. Baseball stars Henry Aaron and Satchel Paige even played their first games of baseball in the sandlots here.
The Civil War adventures of a swashbuckling sea captain.
Normal0falsefalsefalseMicrosoftInternetExplorer4 Originally published in 1941, Cottonmouth is an Alabama novel like no other in its evocation of the sights, sounds, and smells of the city of Mobile, and in its depiction of a young boy growing up in the Deep South during the early 20th century. Highly autobiographical, the book is, in a real sense, two stories in one: the biography of a boy from his earliest memories through high school, and the life of a city in the years between the two world wars. In his introduction to this reprint within The Library of Alabama Classics, Benjamin B. Williams presents the author, Julian Lee Rayford, the literary figure and well-known Mobilian, and places his work not only in the context of the times but also within the life of the city Rayford loved. Cottonmouth is an animated, vigorous, and intensely nostalgic portrayal of life in Mobile. With fine literary skill, Rayford captures the heartbeat of the city, and through the character Paul, reminds the reader of the joys, sorrows, successes, and failures of childhood and adolescence.