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The History of American Graffiti
Book description to come.
Caleb Neelon's Book of Awesome
Artist and author Caleb Neelon (SONIK) began his graffiti career like anyone else, but the Cambridge, Massachusetts native took a hard right and caught a flight out of town. Deliberately ignoring the obvious global centers of New York, Los Angeles, and London, Caleb painted subject matter close to his heart while making a street presence in places like Kathmandu, Sao Paulo, and Tegucigalpa. Across, around, and in between five continents, indoors and out, Caleb has pulled off some unique, colorful, and heartfelt work both alongside collaborators like Os Gemeos and Andrew Schoultz, as well as in streets where he is the first foreigner let alone street painter to wander in quite some time. Featuring heartfelt travel stories going beyond the artwork to the socio-political situations that surround them, as well as the large-scale gallery installations of Calebs from venues such as the Boston Center for the Arts, Caleb Neelons Book of Awesome provides an overview of the work of this diverse and distinctive artist
Graffiti Brasil
A firsthand survey of the most original graffiti scene to emerge in the past decade.
Saber
Los Angeles based graffiti legend SABER, is world renowned for his "Los Angeles River" piece (1997), the largest in the world. His piece on the sloping bank of the Los Angeles River was nearly the size of a football field, and could be read clear as day from a satellite photo. In a famous photograph taken by his father just after it was completed, SABER stands on the piece and appears as a tiny speck amid a giant blaze of color. In the years since, SABER's legend has only grown as his art has evolved, and his presence on the streets remains undiminished. This engrossing monograph is not only a picture-book, but features amazing stories about childhood, life and death, fine art and graffiti misadventures proving that SABER is a multi-dimensional artist with an amazing story to tell. This revised, expanded edition includes 80 additional pages.
Street World
Urban subcultures have joined together to become something larger, more powerful, and more pervasive than ever before. Our new global urban culture, street culture at its broadest, is its force. The more than 1,000 photographs featured here together form a journey, a record, and an inspiration. The world's streets are its most vibrant sites of visual creativity, and amid their crush are photographers, documenting, creating, and collectively bringing this book to you. Their stories are the stories of the interconnectedness of global street culture. Travel and exploration are near the essence of street cultures, and the travelers who have used their passions to cross the boundaries of nations are at the heart of the process of cultural exchange.--[from publisher's description].
Delusional
The Jonathan LeVine Gallery was officially launched in New York City in 2005. Since then, LeVine has brought his considerable talents to bear, focusing on work influenced by illustration, comic books, graffiti, street art and pop culture imagery. Widely revered as the 'artists' gallerist', Jonathan LeVine has nourished a much needed alternative viewpoint within the stilted New York art market. In the pages of DELUSIONAL, readers will discover the fascinating backstory that brought this punk kid from Trenton to the hallowed gallery walls of Chelsea.
Wall Writers
Wall Writers explores graffiti's eruption into mainstream society in the period of social turmoil in the late 1960s and early '70s, and takes a closer look not only at early graffiti's place on the wall but its place in the culture of the time. More comprehensive than any other book on the subject, Wall Writers explores not only early graf writing itself but the writers creating it, the new technology of spray paint that made it possible, and the culture that drove them to write -- be it a need to rebel against the government, to pass a message, or simply be recognized by society. Hundreds of images of everything from spray paint advertisements to commercial greeting cards to images of buildings completely covered in spray painted monikers are included, and reveal the context of the beginnings of a movement that would eventually grow to "transform city life, public transit, public art, and ultimately visual art the world over." Includes interviews and profiles of some of the most prolific writers of the time, including TAKI 183, Cornbread, and dozens more.
Street Sketchbook: Journeys
Fans of the hit graffiti title Street Sketchbook will delight in this new volume dedicated to the journeysboth geographical and imaginativeof street artists. Twenty-six of the hottest new artists working worldwide today have opened up their sketchbooks to share their impressions as they travel on road trips, trek halfway across the globe, and explore internal landscapes. From widely diverse backgrounds, these cutting-edge artists share one crucial decision: to bypass conventional routes for the creative road less taken, the urban streets and alleyways. From doodles on a bus in Central America to fully realized murals spanning the Israel-Palestine border, Street Sketchbook: Journeys is an engrossing travelogue of visual free expression.
Pump Me Up
This is the first book of its kind to present a complete overview of the 1980s subcultures of Washington, D.C. and is released in conjunction with an upcoming exhibit at the Corcoran Gallery of Art, curated by Roger Gastman. This volume is packed full of essays and interviews that bring you inside the real D.C. of the 1980s, including almost 1,000 photographs which expertly chronicles a shifting decade in which D.C. was largely ignored by its President, but embraced by its own citizens.
A Companion to Public Art
A Companion to Public Art is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale. Edited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselves Includes 19 essays in four sections: tradition, site, audience, and critical frameworks Covers important topics in the field, including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, and the intersection of public art and mass media Contains “artist’s philosophy” essays, which address larger questions about an artist’s body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.
