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Calypso
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Music, Memory, Resistance
"Calypsonians have long been the 'voice of the people', delivering the complaints, criticisms and even the solutions to political leaders. In its earliest manifestations, calypso music emerged in response to a cultural climate that demanded creative modes of expression that could both resist and record political and historical changes taking place in Trinidad and Tobago. Since the 1920s and 1930s, calypsonians typically have composed songs that chronicle their observations and opinions on current events focusing on specific occurrences, from local scandals to current affairs while also examining broader trends. Not only has calypso served as an unofficial record of historical events, it emer...
The Dead Calypso, and Other Verses
Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, ...
Calypso Drift
Steinberg Henry has composed for us this magical island adventure into song. It is made up of 14 segments and 119 chapters integrating leaps in consciousness, methods and disciplines with skill surprising. Calypso Drift passes by way of an island Parliament, Dread/Rastafari, memorable black-sand beaches, religious systems, the KwÉyòl language business, high-school learning remembrances, a touch of Kalinago sensibility and, American song selections on Caribbean radio in the 70s and 80s. The text leaps to record seven years of Dominican Calypso lyrics, contributing in the process to archiving an island's history. Calypso Drift implores us to listen again to warnings of our song-poets. This is a book for lovers of Calypso globally, one for culture enthusiasts. Those embracing entertainment education, history and the arts in general should find its methods provocative. Students in the natural and social sciences can comfortably uncover themselves herein. And most of all, musicians, song-writers, composers and performers of Calypso find space in its consuming fire. Drift, globality is inside!
Creepy Crawly Calypso
Jump and jive with this funky band of mini-beasts, as they play their cool calypso beats! Introducing guitar-strumming ladybugs, trombone-blowing dragonflies and piano-tinkling centipedes, the catchy CD which accompanies the book will have everyone singing along enthusiastically. The counting theme throughout helps young learners with their numbers up to ten, and there are lots of creepy-crawly facts at the back of the book, in addition to information about the Caribbean and calypso bands.
Calypso
Beschrijving van hilarische en aangrijpende momenten uit het leven van de auteur, met zijn familie, vrienden en toevallige passanten.
A Calypso Trilogy
This drama trilogy shows the story of the Calypso art form over four decades of social and artistic change, 1930-1970. Sing de Chorus, the first in the series, recreates the conditions and conflicts that made the 1930s the classical era of the Calypso and placed the art on the international stage. Ah Wanna Fall is built around the Absurdist genius of Spoiler, who characterized the transitions of post-war Trinidad. Ten to One crowns the series with the triumphant rise of Sparrow in his struggle for social respect for the art and its performers.
Calypso and Other Music of Trinidad, 1912-1962
Calypso, with its diverse cultural heritage, was the most significant Caribbean musical form from World War I to Trinidad and Tobago Independence in 1962. Though wildly popular in mid-1950s America, Calypso--along with other music from "the island of the hummingbird"--has been largely neglected or forgotten. This first-ever discography of the first 50 years of Trinidadian music includes all the major artists, as well as many obscure performers. Chronological entries for 78 rpm recordings give bibliographical references, periodicals, websites and the recording locations. Rare field recordings are cataloged for the first time, including East Indian and Muslim community performances and Shango and Voodoo rites. Appendices give 10-inch LP (78 rpm), 12-inch LP (33 1/3 rpm), extended play (ep) and 7-inch single (45) listings. Non-commercial field recordings, radio broadcasts and initially unissued sessions also are listed. The influence of Trinidadian music on film, and the "Calypso craze" are discussed. Audio sources are provided. Indexes list individual artists and groups, recording titles and labels.
