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Mr Nasty charts the rise, fall and ultimate redemption of a wannabe player in the global narcotics business. From humble beginnings on the streets of London's East End, Cameron White rapidly ascended the drug ladder of London's club scene before notorious local criminals forced him to move to the US. There, he soon found himself aboard a cocaine-fuelled roller-coaster ride, transporting him from encounters with psychotic, crack-dealing Jamaicans in New York to luncheons with Hollywood's glitterati. The American adventure was to reach its inevitable conclusion in a drive-by shooting in the barrios of LA.Back in London, a dull nine-to-five existence did nothing to quell White's narco-inclinati...
"Associated families discussed in this book and connected to the Mundens through marriages include Cason, Dixson, Joyner (Joiner), Howell, Parris (Parish), Walker, Kemp, Hill, Wilson, Denison (Dennison), Alexander, Hancock, and Cooper, among others."--Back cover
This collection of thirteen essays, edited by historian W. Fitzhugh Brundage, brings together original work from sixteen scholars in various disciplines, ranging from theater and literature to history and music, to address the complex roles of black performers, entrepreneurs, and consumers in American mass culture during the early twentieth century. Moving beyond the familiar territory of blackface and minstrelsy, these essays present a fresh look at the history of African Americans and mass culture. With subjects ranging from representations of race in sheet music illustrations to African American interest in Haitian culture, Beyond Blackface recovers the history of forgotten or obscure cul...
In 2000, the United States census allowed respondents for the first time to tick a box marked “African American” in the race category. The new option marked official recognition of a term that had been gaining currency for some decades. Africa has always played a role in black identity, but it was in the tumultuous period between the two world wars that black Americans first began to embrace a modern African American identity. Following the great migration of black southerners to northern cities after World War I, the search for roots and for meaningful affiliations became subjects of debate and display in a growing black public sphere. Throwing off the legacy of slavery and segregation,...
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The Makarov Pistol entered service as the primary service pistol in the armed forces and security services of the Soviet Union in 1951. It continues to serve in the forces of the Russian Federation, and the former Soviet Union, and of nations around the world. It has been estimated that some 5 million Makarov pistols had been produced in the Soviet Union and Russian Federation alone up 2002, and production continues for military, police and civil markets in Russia to this day. Additionally, the Makarov Pistol was also produced under license in East Germany, Bulgaria and China. The Makarov Pistol has served around the world in conflicts and security duties in all climates and terrains, and ca...
A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces––black and white––that gradually allowed African Americans to enter the mainstream entertainment industry. Lost Sounds includes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
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Racial Uplift and American Music, 1878-1943 traces the career of racial uplift ideology as a factor in elite African Americans' embrace of classical music around the turn of the previous century, from the collapse of Reconstruction to the death of composer/conductor R. Nathaniel Dett, whose music epitomized "uplift." After Reconstruction many black leaders had retreated from emphasizing "inalienable rights" to a narrower rationale for equality and inclusion: they now sought to rehabilitate the race's image by stressing class distinctions, respectable middle-class behavior, and service to the masses. Musically, the black intelligentsia resorted to European models as vehicles for cultural vind...
The complete ball by ball reference guide to Australia's phenomenally successful Twenty20 cricket league, the Big Bash. This is a complete record of the 5th Big Bash League and includes full scorecards, details of every ball bowled in all 35 matches, with over summaries, dot ball analysis and graphical comparisons of run rates as the matches progressed. The book is also packed with batting, bowling, fielding and extras statistics and profiles of each squad.