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Fashion
Fashion: Photography of the Nineties is a compilation of over two hundred images culled from the worlds of art and fashion. A chronicle of the fashion iconography of the Nineties, it places images familiar from magazines and style journals alongside their wilder, darker counterparts, many of which are published here for the first time. In these photographs the body and its gestures report on the defining characteristics of a decade. Postures of anxiety, insecurity and sexual uncertainty co-exist with fashion's more traditional celebrations. The ambiguity of gender and beauty lays bare our secret desires, dissolving the boundaries between what is worn and the way we wear it. Elegance and vulgarity, femininity and masculinity, art and fashion meet in the spaces separating the raw, the beautiful, the unkempt and the subversive. Out of the collision between style and the subconscious emerges a portrait of our time.
The Model as Muse
"[Book] examines the relationship between high fashion and the evolving ideals of beauty through the careers and personifications of iconic models who posed in the salons, walked the runways, and exploded onto the pages of Vogue, Harper's Bazaar, and even Life and Time. High-profile models enlivened the designs of the world's most celebrated couturiers and, on occasion, even inspired them." --Book jacket.
About Face
Original publication and copyright date: 2010.
Hiding
For Mark C. Taylor, the disappearance of depth we sense all around us is a change full of creative possibility. Taylor introduces us to a popular culture in which detectives - the postmodern heroes of Paul Auster and Dennis Potter - lift surfaces only to find more surfaces, and in which fashion advertising plays transparency against hiding. He looks at the current preoccupation with body piercing and tattooing and asks whether these practices actually reveal or conceal. The limitless spread of computer networks, the history of phrenology, the "religious" architecture of Las Vegas - all are brought within the scope of Taylor's brilliant analysis. Postmodernism, he shows, has given us a new sense of the superficial, one in which the issue is not the absence of meaning but its uncontrollable, ecstatic proliferation.
Fashion and Its Social Agendas
It has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed. Crane compares nineteenth-century societies—France and the United States—where social class was the most salient aspect of social identity signified in clothing with late twentieth-century America, where lifestyle, gender, sexual orientation, age, and ethnicity are more meaningful to individuals in constructing their wardrobes. Today, clothes worn at work signify social class, but leisur...
The Pursuit of Style
Life, Love, and the Pursuit of Style is an all-new, original collection of clever, charming, and often hilarious musings from American fashion’s biggest designers. The book culls the best pieces of advice and insight from a survey conducted by the Council of Fashion Designers of America (CFDA) of its 400-plus members, including Diane von Furstenberg, Zac Posen, Betsey Johnson, Narciso Rodriguez, Donna Karan, and Ralph Lauren, among many others. From tips and tricks for breaking into a fashion career, to essential wardrobe items, to favorite words of wisdom, this book provides a glimpse inside the fashion world’s most creative minds and offers readers an endless amount of inspiration. Illustrated by Bil Donovan, this stylish package is the must-have fashion gift book of the season.
Tonne Goodman: Point of View
Throughout her illustrious career, Tonne Goodman has made the famous stylish and the stylish famous. The Vogue fashion director has not only shaped the way women dress and see themselves, but she has also created a nexus in which the worlds of celebrity and style continually collide. Now, in Point of View, Goodman’s life and career are explored for the first time. Organized chronologically, this book charts Goodman’s career from her modeling days, to her freelance fashion reportage, to her editorial and advertising work, through to her reign at Vogue. The editor’s recollections of some of the world’s greatest photographers, models, celebrities, and designers of our time are illustrated throughout, with behind-the-scenes fashion photos and shots of Goodman’s personal life.
Nothing in Itself
What Herbert Blau suggests, in Nothing in Itself, is that fashion itself, today, has been anticipating and redefining, in the dazzle on the runway, or even in ready-to-wear, the terms in which it is critiqued, while sometimes giving the impression that it is inseparable from critique; in short, there is little to be said of fashion that is not somehow visible in fashion, though even in the mainstream we may call it antifashion. Which is all the more reason to look at the clothes. The book does so copiously, with a fastidious eye to style, as if nothing could be said of a garment, no appropriate fabric of thought, without the felt sensation.
Deleuze and the Body
This book will be important reading for those with an interest in Deleuze, but also in performance arts, film, and contemporary culture.
