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A catalogue of the first edition of the triennial exhibition of contemporary art in Turin, organised in collaboration with the Castello di Rivoli Museum of Contemporary Art, Gallery of Modern and Contemporary Art, and the Sandretto Re Rebaudengo Foundation.
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Looking at the central role sports play in society and the influence they have on contemporary culture - from fashion to art, technology, economy, medicine, and communication - this book explores how sports have become metaphors for life itself.
Focusing on Mollino's furniture and interior design, this text also showcases his incredible passion for photography, providing a comprehensive overview of his creativity and versatile talents.
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The plot of Yang Fudong's first film describes the weakness of the human condition, man's inability to understand the meaning of reality and to relate to it, identifying with a profound existential melancholy, an inevitable negative consequence of life in China today. The artist's subsequent works in film, photography, and video, delve into these sorts of themes, placing at the center of his artistic investigation the complex relationship between the new generation of Chinese intellectuals and the profound changes of a political, economic, and social nature that are taking place in his country. This catalog offers an in-depth look at two recent video installations, The Revival of the Snake and Jiaer's Livestock, which are among the artist's most complex installations to date.
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What has left since we left? articulates the fictional end of Europe with the language of love and separation. Likening the political bonds that tie together European countries to the fluctuations of romance and desire, the book unpacks the complexities of the European relationship by touching on ideas of identity, collapse, migration, conflict and hope. The book features contributions by Ay'e Zarakol, Marwan Moujaes, Federico Lodoli, Marina Lalovic and Erica Petrillo. Together, these texts complement and expand on the script for the film "What has left since we left" - directed by Giulio Squillacciotti and written with Daan Milius and Huib Haye van der Werf - which fictionalises the current European dystopia by re-enacting and problematizing the rituals of kinship and relational struggles. Backstage images and film stills from this production, along with a European timeline from World War II up until Brexit compiled by Enrico De Gasperis, provide a specific overview to the entire project.