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The New Anthology of American Poetry
The book includes over 600 poems by 65 american poets writing in the period between 1900 and 1950.
Imagery and Ideology
Literature is ostensibly a sequential and thus temporal medium, and painting a static and spatial one; yet writers like George Sand and Emile Zola have attempted repeatedly to represent visual and spatial phenomena in literary texts, just as painters like Eugene Delacroix and Claude Monet have sought consistently to capture effects of time and movement on canvas. The incorporation of elements from one artistic medium into another creates a dynamic interplay of image and ideology, both between art forms and within individual texts and paintings, which constitutes the crux of this book. Each chapter involves the detailed analysis of a text and a painting, related through topic, theme, and technique. By juxtaposing the works of ten major writers and ten painters of comparable stature, the book explores the various modalities and layers of meaning in nineteenth-century French art, both verbal and visual, and proposes ways of reading the ambivalent artifacts of "modernity." Illustrated.
Group Work
The new edition of Group Work adds a focus on diversity and the use of self in group work, an area too often neglected in professional training but essential to meeting current competence standards set by the Council on Social Work Education. As in previous editions, students and professors will find thoughtful analyses of complicated value dilemmas and specific techniques for use in a diverse range of settings, including confrontations and situations where humor is appropriate. Complete with more games and exercises, an updated discussion of values and ethics, and an expanded skills section, Group Work also contains excerpts and discussions of case studies that can be applied to students’ own experiences and will serve as a valuable references for years to come.
Deep Skin
Elizabeth Bishop, who constructed poems of crystalline visual accuracy, is often regarded as the most painterly of twentieth-century American poets. In Deep Skin, Peggy Samuels explores Bishop's attraction to painters who experimented with dynamic interactions between surface and depth. She tells the story of the development of Bishop's poetics in relation to her engagement with mid-century art, particularly the work of Paul Klee, Kurt Schwitters, and Alexander Calder.Contemporary conversations about the visual arts circulating among art historians and reviewers shaped Bishop's experience and illuminated aesthetic problems for which she needed to find solutions. The book explores in particul...
Violent Passions
This book re-evaluates the perception of "courtly love" in Old French verse. Adams traces how these verses explore the emotional trials of amour and propose coping methods for the lovelorn.
WLA
None
Overhearing Film Dialogue
Through informative discussion of dozens of classic and contemporary films - from "Bringing Up Baby" to "Terms of Endearment", from "Stagecoach" to "Reservoir Dogs"--This text provides a full-length study of the use of dialogue in American film.
