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Politics under Salvador Allende was a battle fought in the streets. Everyday attempts to “ganar la calle” allowed a wide range of urban residents to voice potent political opinions. Santiaguinos marched through the streets chanting slogans, seized public squares, and plastered city walls with graffiti, posters, and murals. Urban art might only last a few hours or a day before being torn down or painted over, but such activism allowed a wide range of city dwellers to participate in the national political arena. These popular political strategies were developed under democracy, only to be reimagined under the Pinochet dictatorship. Ephemeral Histories places urban conflict at the heart of Chilean history, exploring how marches and protests, posters and murals, documentary film and street photography, became the basis of a new form of political change in Latin America in the late twentieth century.
Desired States challenges the notion that in some cultures, sex and sexuality have become privatized and located in individual subjectivity rather than in public political practices and institutions. Instead, the book contends that desire is a central aspect of political culture. Based on fieldwork and archival research, Frazier explores the gendered and sexualized dynamics of political culture in Chile, an imperialist context, asking how people connect with and become mobilized in political projects in some cases or, in others, become disaffected or are excluded to varying degrees. The book situates the state in a rich and changing context of transnational and localized movements, imperialist interests, geo-political conflicts, and market forces to explore the broader struggles of desiring subjects, especially in those dimensions of life that are explicitly sexual and amorous: free love movements, marriage, the sixties’ sexual revolution in Cold War contexts, prostitution policies, ideas about men’s gratification, the charisma of leaders, and sexual/domestic violence against women.
Grâce à une approche originale combinant sources écrites et enquête orale, science politique, sociologie et histoire, cette étude très fouillée reconstitue la dynamique du mouvement révolutionnaire chilien, vu « par en bas », au niveau des entreprises occupées, des ceintures industrielles, des quartiers populaires. Basé sur la respiration des politiques du conflit qui ont rythmé la « voie chilienne au socialisme », ce livre montre le développement et la radicalisation du mouvement ouvrier, les formes d’organisation d’une classe mobilisée et les répertoires d’action utilisés.
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Politics under Salvador Allende was a battle fought in the streets. Everyday attempts to Òganar la calleÓ allowed a wide range of urban residents to voice potent political opinions. SantiaguinosÊmarched through the streets chanting slogans, seized public squares, and plastered city walls with graffiti, posters, and murals. Urban art might only last a few hours or a day before being torn down or painted over, but such activism allowed a wide range of city dwellers to participate in the national political arena. These popular political strategies were developed under democracy, only to be reimagined under the Pinochet dictatorship. Ephemeral Histories places urban conflict at the heart of Chilean history, exploring how marches and protests, posters and murals, documentary film and street photography, became the basis of a new form of political change in Latin America in the late twentieth century.
Hanoi, the capital of Vietnam, is known for its bustling street life. Public spaces, such as streets and sidewalks, are appropriated by citizens mostly for small-scale economic activities. Green parks are privatized in order to cater to the growing demand for leisure space. At the same time, official spaces like Ba Dinh Square or Ly Thai To Square are occupied by Hanoi's residents for sports and gatherings. This dissertation takes a close look at the practices and the meaning of public spaces and the development of public spheres in Hanoi. Dissertation. (Series: Southeast Asian Modernities - Vol. 13)
In the 1990s, Latin America emerged from the horror of massive human rights violations as it returned to civilian-elected regimes. This volume aims to explore the lasting legacy of the transformations brought about by the oppressive regimes of the '70s and '80s as they are experienced in the cultural, social and intellectual life of the region.
In The Aesthetic Clinic, Fernanda Negrete brings together contemporary women writers and artists well known for their formal experimentation—Louise Bourgeois, Sophie Calle, Lygia Clark, Marguerite Duras, Roni Horn, and Clarice Lispector—to argue that the aesthetic experiences afforded by their work are underwritten by a tenacious and uniquely feminine ethics of desire. To elaborate this ethics, Negrete looks to notions of sublimation and feminine sexuality developed by Freud, Baudelaire, Mallarmé, and Nietzsche, and their reinvention with and after Jacques Lacan, including in the schizoanalysis of Gilles Deleuze and Félix Guattari. But she also highlights how psychoanalytic theory draw...