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Canadian Literature
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Canadian Literature in English
When "Canadian Literature in English" was first published by Longman in 1985 it was described (in the "Modern Language Review") as a standard reference work on the subject' and the best critical account of its subject that we possess so far'. The book was released in London and New York, as such things were done at the time, but never distributed particularly well in Canada, where it faded, rapidly, from view. W. J. Keith, writing in the Preface to the Revised Edition, admits his first inclination was to embark on a total rewrite of the Longman edition. On further consideration, however, Keith came to realize that the 1985 publication was completed at the close of a major phase in the Canadi...
Literary History of Canada
Hailed as a landmark in Canadian literary scholarship when it was originally published in 1965, the Literary History of Canada is now being reissued, revised and enlarged, in three volumes. This major effort of a large group of scholars working in the field of English-language Canadian literature provides a comprehensive, up-to-date reference work. It has already proven itself invaluable as a source of information on authors, genres, and literary trends and influences. It represents a positive attempt to give a history of Canada in terms of writings which deserve attention because of significant thought, form, and use of language. Volume I comprises Parts I to III of the original edition, and covers the years from the beginning of Canadian literature in English to about 1920. The contributors to this volume are David Galloway, Victor G. Hopwood, Alfred G. Bailey, Fred Cogswell, James and Ruth Talman, Carl F. Klinck, Edith Gordon Roper, Rupert Schieder, S. Ross Beharriell, Brandon Conron, Elizabeth Waterston, Alec Lucas, John A. Irving, A.H. Johnson, A. Vibert Douglas, and Frank W. Watt.
Literary History of Canada
Hailed as a landmark in Canadian literary scholarship when it was originally published in 1965, the Literary History of Canada is now being reissued, revised and enlarged, in three volumes. This major effort of a large group of scholars working in the field of English-language Canadian literature provides a comprehensive, up-to-date reference work. It has already proven itself invaluable as a source of information on authors, genres, and literary trends and influences. It represents a positive attempt to give a history of Canada in terms of writings which deserve attention because of significant thought, form, and use of language. Volume 3 has been newly written for this edition of the History, and covers the years from about 1960 to 1974. The contributors to this volume are Claude Bissell, Desmond Pacey, Lauriat Lane, jr, Michael S. Cross, Thomas A. Goudge, John Webster Grant, John H. Chapman, William E. Swinton, Henry B. Mayo, Malcolm Ross, Brandon Conron, Clara Thomas, Sheila A. Egoff, John Ripley, William H. New, George Woodcock, and Northrop Frye.
Literary History of Canada
Hailed as a landmark in Canadian literary scholarship when it was originally published in 1965, the Literary History of Canada is now being reissued, revised and enlarged, in three volumes. This major effort of a large group of scholars working in the field of English-language Canadian literature provides a comprehensive, up-to-date reference work. It has already proven itself invaluable as a source of information on authors, genres, and literary trends and influences. It represents a positive attempt to give a history of Canada in terms of writings which deserve attention because of significant thought, form, and use of language. Volume 2, a revision of Part IV of the original edition, covers the period from about 1920 to 1960. The contributors to this volume are Desmond Pacey, William Kilbourn, Henry B. Mayo, Millar MacLure, John Webster Grant, Thomas A. Goudge, Elizabeth Waterston, Brandon Conron, Jay Macpherson, Sheila A. Egoff, Michael Tait, Hugo McPherson, Munro Beattie, and Northrop Frye.
Marxism and 20th-Century English-Canadian Novels
This monograph is the first academic work to apply a neo-Marxist approach to 20th-century Canadian social realist novels, pursuing a refreshingly (neo-)Marxist approach to such issues as Bakhtinian notions of the novelistic form and dialogism as applied to Canadian socio-political novels influenced by various socialisms, socialist-feminist concerns, economic and sexual politics, and the genre of social realism. In so doing, it demonstrates that Marxist socialism is as relevant today as it was in the 1930s, just as social realist novels continue to thrive as a critique of capitalism. Readers will find valuable insights into the social significance, formal innovations, moral sensitivity, aesthetic enrichment, and ideological complexity of Canadian social realist novels.
A History of Canadian Literature
New offers an unconventionally structured overview of Canadian literature, from Native American mythologies to contemporary texts. Publishers Weekly A History of Canadian Literature looks at the work of writers and the social and cultural contexts that helped shape their preoccupations and direct their choice of literary form. W.H. New explains how - from early records of oral tales to the writing strategies of the early twenty-first century - writer, reader, literature, and society are interrelated. New discusses both Aboriginal and European mythologies, looking at pre-Contact narratives and also at the way Contact experience altered hierarchies of literary value. He then considers represen...
The Search for English-Canadian Literature
The search for a distinctive Canadian literature is not new. It began in the 1820s, and even then involved many of the same issues that concern critics today. Much of this early material is now inaccessible to most Canadians. Carl Ballstadt has selected for this volume a number of the most importance statements from a century of growth. The pieces come from essays, prefaces, and editorials published between 1823 and 1926 in a variety of works including the major literary periodicals of the time. Among the authors are Thomas D’Arcy McGee, Sara Jeannette Duncan, Daniel Wilson, Goldwin Smith, G. Mercer Adam, Pelham Edgar, J.D. Robins, J.D. Logan, and Charles Mair. The major themes they treate...
