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The city-state of Venice, with a population of less than 100,000, dominated a fragmented and fragile empire at the boundary between East and West, between Latin Christian, Greek Orthodox, and Muslim worlds. In this institutional and administrative history, Monique O’Connell explains the structures, processes, practices, and laws by which Venice maintained its vast overseas holdings. The legal, linguistic, religious, and cultural diversity within Venice’s empire made it difficult to impose any centralization or unity among its disparate territories. O’Connell has mined the vast archival resources to explain how Venice’s central government was able to administer and govern its extensiv...
The book deals with the concept of fragmentation as applied to languages and their documentation. It focuses in particular on the theoretical and methodological consequences of such a fragmentation for the linguistic analysis and interpretation of texts and, hence, for the reconstruction of languages. Furthermore, by adopting an innovative perspective, the book aims to test the application of the concept of fragmentation to languages which are not commonly included in the categories of ‘Corpussprache’, ‘Trümmersprache’, and ‘Restsprache’. This is the case with diachronic or diatopic varieties — of even well-known languages — which are only attested through a limited corpus of texts as well as with endangered languages. In this latter case, not only is the documentation fragmented, but the very linguistic competence of the speakers, due to the reduction of contexts of language use, interference phenomena with majority languages, and consequent presence of semi-speakers.
Il museo moderno si configura sempre più come un centro culturale vivo, rappresentativo della storia e della tradizione di un territorio o di una nazione, terreno di studio e di ricerca, di iniziazione all'arte e di educazione civile. Il volume, attraverso l'analisi dei risultati di un'indagine realizzata in 158 musei statali, presenta le modalità con cui i musei si pongono in relazione con la città, con la comunità scientifica e con gli utenti diretti e"virtuali" e passa in rassegna gli strumenti attraverso i quali essi comunicano con il pubblico, a livelli diversi, con una gamma differenziata di apparati e di servizi. Il quadro complessivo - che scaturisce da un processo di autovalutaz...
"Treasures of a Lost Art presents 144 leaves, cuttings, and illuminated manuscript fragments from the collection of Robert Lehman (1891-1969), one of the largest and most impressive private holdings of Italian manuscripts assembled after the First World War. Discussed here - with many of them handsomely illustrated in full color - are important examples of the major schools of illumination in southern Italy, Umbria, Tuscany, Emilia, Lombardy, and the Veneto. Previously unpublished, and perhaps even unknown to scholars, are works by some of the foremost Italian painters of the Middle Ages and Renaissance, including a leaf here attributed for the first time to the Sienese master Duccio di Buoninsegna and cuttings by Stefano da Verona and Cosimo Tura. Lesser-known arists, such as Neri da Rimini, Belbello da Pavia, and Girolamo da Cremona, once renowned for their beautifully illuminated volumes, are also discussed in full."--BOOK JACKET.
This publication provides statistics and assessments of annual medical and scientific requirements for psychotropic substances, levels of consumption of groups of the substances, prohibitions and restrictions on their export and import. This trilingual publication is in English, French and Spanish.