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In 1977 the Kenyan government banned all hunting, whether by sportsmen or Kenyan Africans, in response to the poaching crisis that was then spreading across the African continent. This brought an end to the era of the 'Great White Hunters' in this 'sportsman's paradise'. This book traces the history of hunting during Kenya's colonial era from the late nineteenth to the mid-twentieth century. Three main themes emerge: first, is the importance of hunting to Kenyan farmers and herders; second is the attempt during European colonization of Kenya to recreate in Africa the practices and values of nineteenth-century European aristocratic hunts, which reinforced an image of African inferiority and subordination; third, is the role of the conservationists, who claimed sovereignty over nature and wildlife, completing the transformation of African hunters into criminal poachers. North America: Ohio U Press; Kenya: EAEP
The Victorian period witnessed the beginning of a debate on the status of animals that continues today. This volume explicitly acknowledges the way twenty-first-century deliberations about animal rights and the fact of past and prospective animal extinction haunt the discussion of the Victorians' obsession with animals. Combining close attention to historical detail with a sophisticated analytical framework, the contributors examine the various forms of human dominion over animals, including imaginative possession of animals in the realms of fiction, performance, and the visual arts, as well as physical control as manifest in hunting, killing, vivisection and zookeeping. The diverse range of topics, analyzed from a contemporary perspective, makes the volume a significant contribution to Victorian studies. The conclusion by Harriet Ritvo, the pre-eminent authority in the field of Victorian/animal studies, provides valuable insight into the burgeoning field of animal studies and points toward future studies of animals in the Victorian period.
Pastoralists, ranchers of European descent, conservationists, smallholders, and land investors with political influence converge on the Laikipia plateau in Kenya. Land is claimed by all - the tactics differ. Private property rights are presented, histories of presence are told, charges of immorality are applied, fences are electrified and some resort to violence. The region, marked by enclosures, is left as a tense fragmented frontier. Marie Gravesen embedded herself in the region prior to a wave of land invasions that swept the plateau leading up to Kenya’s 2017 general election. Through a rich telling of the history of Laikipia’s social, political and environmental dynamics, she invites a deeper understanding of the pre-election violence and general tensions as never done before. The manuscript is a revised version of the author's dissertation accepted by the Faculty of Arts and Humanities at the University of Cologne in 2018.