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Princeton Alumni Weekly
  • Language: en
  • Pages: 1040

Princeton Alumni Weekly

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That Old-Time Rock & Roll
  • Language: en
  • Pages: 430

That Old-Time Rock & Roll

Elvis Presley and Bill Haley. Sam Cooke and the Shirelles. The Crows and the Chords. American Bandstand and Motown. From its first rumblings in the outland alphabet soup of R&B and C&W, rock & roll music promised to change the world--and did it. Combining social history with a treasure trove of trivia, Richard Aquila unleashes the excitement of rock's first decade and shows how the music reflected American life from the mid-1950s through the dawn of Beatlemania. His year-by-year timelines and a photo essay place the music in historical perspective by linking artists and their hits to the news stories, movies, TV shows, fads, and lifestyles. In addition, he provides a concise biographical dictionary of the performers who made the charts between 1954 and 1963, along with the label and chart position of each of their hit songs.

Chicago Soul
  • Language: en
  • Pages: 468

Chicago Soul

Chicago Soul chronicles the emergence of Chicago soul music out of the city's thriving rhythm-and-blues industry from the late 1950s through the late 1970s. The performers, A&R men, producers, distributors, deejays, studios, and labels that made it all happen take center stage in this first book to document the stunning rise and success of the Windy City as a soul music recording center.

American Popular Music: The age of rock
  • Language: en
  • Pages: 286

American Popular Music: The age of rock

Beginning with the emergence of commercial American music in the nineteenth century, Volume 1 includes essays on the major performers, composers, media, and movements that shaped our musical culture before rock and roll. Articles explore the theoretical dimensions of popular music studies; the music of the nineteenth century; and the role of black Americans in the evolution of popular music. Also included--the music of Tin Pan Alley, ragtime, swing, the blues, the influences of W. S. Gilbert and Rodgers and Hammerstein, and changes in lyric writing styles from the nineteenth century to the rock era.

Just My Soul Responding
  • Language: en
  • Pages: 712

Just My Soul Responding

  • Type: Book
  • -
  • Published: 2012-10-12
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  • Publisher: Routledge

Brian Ward is Lecturer in American History at the University of Newcastle upon Tyne .; This book is intended for american studies, American history postwar social and cultural history, political history, Black history, Race and Ethnic studies and Cultural studies together with the general trade music.

This Day in New York Sports
  • Language: en
  • Pages: 422

This Day in New York Sports

While not a 'picture book' in the traditional sense. This Day in New York Sports is a bit of a family photo album. It is the album of the family of New York sports over more than 150 years as expressed by a series of daily entries on each day of the year. Within the book you'll find famous members of the family and also those little noted nor long remembered. Day by day as you scroll through the years, you will be introduced (or may be re-introduced) to the names who made New York sports one of the most interesting and compelling dramas in the social history of America for the last century and a half.

Cashing in on Culture
  • Language: en
  • Pages: 268

Cashing in on Culture

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Rock and Roll, Social Protest, and Authenticity
  • Language: en
  • Pages: 191

Rock and Roll, Social Protest, and Authenticity

This book explores the relationships between rock and roll, social protest, and authenticity to consider how rock and roll could function as social protest music. The author begins by discussing the nature and origins of rock and roll and the nature of social protest and social protest music within the wider context of the evolution of the commercial music industry and the social and technological infrastructure developed for the mass dissemination of popular music. This discussion is followed by an examination of the causes of the public disapproval originally expressed toward rock and roll, and how they illuminate its social protest and subversive quality. By further investigating the nature of authenticity and its relationship to social protest and to commercialization, the author considers how social protest and commercialization are antithetical. This conclusion, if correct, has broad implications for human culture in advanced industrial society.