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Chicago Soul chronicles the emergence of Chicago soul music out of the city's thriving rhythm-and-blues industry from the late 1950s through the late 1970s. The performers, A&R men, producers, distributors, deejays, studios, and labels that made it all happen take center stage in this first book to document the stunning rise and success of the Windy City as a soul music recording center.
This chronicle of sports at West Virginia's 40 black high schools and three black colleges illuminates many issues in race relations and the struggle for social justice within the state and nation. Despite having inadequate resources, the black schools' sports teams thrived during segregation and helped tie the state's scattered black communities together. West Virginia hosted the nation's first state-wide black high school basketball tournament, which flourished for 33 years, and both Bluefield State and West Virginia State won athletic championships in the prestigious Colored Intercollegiate Athletic Association (now Central Intercollegiate Athletic Association). Black schools were gradually closed after the 1954 Brown v. Board of Education decision, and the desegregation of schools in West Virginia was an important step toward equality. For black athletes and their communities, the path to inclusion came with many costs.
This comprehensive two-volume set brings together all aspects of the blues from performers and musical styles to record labels and cultural issues, including regional evolution and history. Organized in an accessible A-to-Z format, the Encyclopedia of the Blues is an essential reference resource for information on this unique American music genre. For a full list of entries, contributors, and more, visit the Encyclopedia of the Blues website.
Formed by five young black men from Chicago, the Flamingos rose to prominence as one of the top vocal acts of the 1950s rock and roll explosion. They appeared in motion pictures and turned out a string of hit records that have remained popular for more than a half-century. Providing a wealth of never-before-told stories of the influential quintet and their experiences in a white-dominated industry, this book details the back-room record deals, life on the road, the creative process, meticulous recording sessions and live performances, based on interviews with original members and those who worked with them.
Described by New York Times critic John Rockwell as "one of the best non-famous composers this country has to offer," Ben Johnston reconceives familiar idioms--ranging from neoclassicism and serialism to jazz and southern hymnody--using just intonation. Johnston studied with Darius Milhaud, Harry Partch, and John Cage, and is best known for his String Quartet No. 4, a complex series of variations on Amazing Grace. This collection spans forty years and brings together forty-one of Johnston's most important writings, including many rare and several previously unpublished selections. They include position papers, theoretical treatises, program notes, historical reflections, lectures, excerpts from interviews, and letters, and they cover a broad spectrum of concerns--from the technical exegesis of microtonality to the personal and the broadly humanistic. A discography of commercially available recordings of Johnston's music closes out the collection.
The twentieth anniversary paperback edition, updated with a new preface Winner of the International Bluegrass Music Association Distinguished Achievement Award and of the Country Music People Critics' Choice Award for Favorite Country Book of the Year Beginning with the musical cultures of the American South in the 1920s and 1930s, Bluegrass: A History traces the genre through its pivotal developments during the era of Bill Monroe and his Blue Grass Boys in the forties. It describes early bluegrass's role in postwar country music, its trials following the appearance of rock and roll, its embracing by the folk music revival, and the invention of bluegrass festivals in the mid_sixties. Neil V. Rosenberg details the transformation of this genre into a self-sustaining musical industry in the seventies and eighties is detailed and, in a supplementary preface written especially for this new edition, he surveys developments in the bluegrass world during the last twenty years. Featuring an amazingly extensive bibliography, discography, notes, and index, this book is one of the most complete and thoroughly researched books on bluegrass ever written.
A multifaceted portrait of "El Rey", the king of Latin music, this is the first in-depth historical, musical, and cultural study to trace the career and influence of Tito Puente. 57 photos.
The first full-length authoritative Encyclopedia on the Blues as a musical form. A to Z in format, this work covers not only the performers, but also musical styles, regions, record labels and cultural aspects of the blues.
A celebration of the fast, the strong, the agile, and the tricky throughout Chicago's storied sports history