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The Synagogue
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The Middle East Under Rome
The ancient Middle East was the theater of passionate interaction between Phoenicians, Aramaeans, Arabs, Jews, Greeks, and Romans. At the crossroads of the Mediterranean, Mesopotamia, and the Arabian peninsula, the area dominated by what the Romans called Syria was at times a scene of violent confrontation, but more often one of peaceful interaction, of prosperous cultivation, energetic production, and commerce--a crucible of cultural, religious, and artistic innovations that profoundly determined the course of world history. Maurice Sartre has written a long overdue and comprehensive history of the Semitic Near East (modern Syria, Lebanon, Jordan, and Israel) from the eve of the Roman conqu...
Origins of the Colonnaded Streets in the Cities of the Roman East
The colonnaded axes define the visitor's experience of many of the great cities of the Roman East. How did this extraordinarily bold tool of urban planning evolve? The street, instead of remaining a mundane passage, a convenient means of passing from one place to another, was in the course of little more than a century transformed in the Eastern provinces into a monumental landscape which could in one sweeping vision encompass the entire city. The colonnaded axes became the touchstone by which cities competed for status in the Eastern Empire. Though adopted as a sign of cities' prosperity under the Pax Romana, they were not particularly 'Roman' in their origin. Rather, they reflected the inventiveness, fertility of ideas and the dynamic role of civic patronage in the Eastern provinces in the first two centuries under Rome. This study will concentrate on the convergence of ideas behind these great avenues, examining over fifty sites in an attempt to work out the sequence in which ideas developed across a variety of regions-from North Africa around to Asia Minor. It will look at the phenomenon in the context of the consolidation of Roman rule.
The Hebrew Goddess
A revised edition containing new chapters on the Shekhina.
Art and Architecture of the Synagogue in Byzantine Palaestina
The Byzantine era was a time of the formation of the Abrahamic religions and a battleground for people’s hearts and minds. This book shows that, during the time of the Byzantine Empire, the synagogues in Palaestina developed a visual language adhering to traditional literary sources. Until now, scholars believed that Judaism was oblivious to all art forms, regarding them as mere “decoration.” This book shows that, contrary to those beliefs, Jewish art was, in fact, flourishing in this period. The visual language that emerged is a trope that utilizes literal and figurative readings to arrive at an inquisitive mixture—a probing language that facilitates learning. It is a visual languag...
The Trial and Crucifixion of Jesus
The Trial and Crucifixion of Jesus is a comprehensive sourcebook for those looking to gain a more robust understanding of this event through the eyes of ancient writers. Featuring extrabiblical primary texts--along with a new translation and commentary by David W. Chapman and Eckhard J. Schnabel--this work is relevant for understanding Jesus' last days. The significance of Jesus' death is apparent from the space that Matthew, Mark, Luke, and John devote to the Passion narrative, from the emphasis of many speeches in the book of Acts, and from the missionary preaching and the theology of the apostle Paul. Exegetical discussions of Jesus' trial and death have employed biblical (Old Testament) ...
Tracing the Bridegroom in Dura
This book examines the previously unexplored sources of the eleventh-century Byzantine service of Christ the Bridegroom by locating its origins in the liturgical environment of third-century Christian Syria and Mesopotamia, and especially in the baptistry of the Christian House at Dura-Europos, as well as in the texts of the Acts of Thomas, the Gospel of Philip and the Symposium by Methodius of Olympus. More specifically, Pagoulatos analyzes the bridal initiation service (the earliest known Iconophile service) of the Dura-Europos baptistery, focusing on the role that the images played in it.
Catalog of Copyright Entries. New Series
Part 1, Books, Group 1, v. 24 : Nos. 1-148 (March, 1927 - March, 1928)
