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This volume examines for the first time the most important methodological issues concerning Christian poetry – i.e. biblical and theological poetry in classical meters – from a diachronic perspective. Thus, it is possible to evaluate the doctrinal significance of these compositions and the role that they play in the development of Christian theological ideas and biblical exegesis.
This is the first book to focus on Latin epic verse saints' lives in their medieval historical contexts. Anna Taylor examines how these works promoted bonds of friendship and expressed rivalries among writers, monasteries, saints, earthly patrons, teachers, and students in Western Europe in the central middle ages. Using philological, codicological, and microhistorical approaches, Professor Taylor reveals new insights that will reshape our understanding of monasticism, patronage, and education. These texts give historians an unprecedented glimpse inside the early medieval classroom, provide a nuanced view of the complicated synthesis of the Christian and Classical heritages, and show the cultural importance and varied functions of poetic composition in the ninth, tenth, and eleventh centuries.
Far from frivolous playthings, modern visual poems represent serious experiments. Together with other members of the avant-grade, the visual poets sought to restructure the basic vision of reality that they inherited from their predecessors. This statement describes contemporary visual poets as well who, like their earlier colleagues, strive to say things that are more meaningful in ways that are more meaningful."--BOOK JACKET.
William Langland's Piers Plowman was written and read during a “golden age” of English preaching. The poem describes a world where sermons took many different forms and were delivered in many different contexts, from public events in the life of the realm to pastoral instruction in the parish. It dramatises preaching as part of its allegorical action, showing how sermons shaped their listeners' understanding of the world; it also includes polemical critique of corrupt, self-interested preaching, and offers radical prescriptions for its reform. This book argues that Langland's central insight into the way that sermons moved and engaged their audiences had to do with their characteristic u...
Aristotle's moral and political thought formed the backbone of education in practical philosophy for centuries during the classical and medieval periods. It has often been presumed, however, that with the advent of the Protestant Reformation, this tradition was broken. Countering this widespread view, Manfred Svensson discusses dozens of commentaries on Aristotle's Ethics and Politics that emerged from Protestant universities and academies throughout the sixteenth and seventeenth centuries, showing that early modern Protestants never lost their connection to Aristotle. He offers a broad contextualization of these works and in-depth discussion of their key ethical and political concepts.
New approaches to a range of Old English texts. Throughout her career, Professor Katherine O'Brien O'Keeffe has focused on the often-overlooked details of early medieval textual life, moving from the smallest punctum to a complete reframing of the humanities' biggest questions. In her hands, the traditional tools of medieval studies -- philology, paleography, and close reading - become a fulcrum to reveal the unspoken worldviews animating early medieval textual production. The essays collected here both honour and reflect her influence as a scholar and teacher. They cover Latin works, such as the writings of Prudentius and Bede, along with vernacular prose texts: the Pastoral Care, the OE Bo...
The Nicene and Post-Nicene Fathers series of the 19th century rendered into English many of Jerome's treatises and letters while bypassing his biblical commentaries as well as some of his most important exegetical letters. This omission, which was not helpful to scholarship, was probably due to the great length of these works. Although the problem was partly remedied by some new English translations of the 20th century, the present volume and its forthcoming continuation (Exegetical Epistles, Volume 2) fill a significant lacuna by translating into English the Scriptural exegesis that Jerome conveyed in his relatively unknown epistles, many of which were composed in response to queries he had...
This is the second of a two-volume set that includes Thomas Scheck's new translations of several of St. Jerome's previously untranslated exegetical letters. Epistle 85 to St. Paulinus of Nola contains Jerome's answers to two questions: how Exodus 7.13 and Romans 9.16 can be reconciled with free will, and what 1 Corinthians 7.14 means. Epistle 106 to Sunnias and Fretela, which deals with textual criticism of the Septuagint, consists of a meticulous defense of Jerome's new translation of the Latin Psalter. Epistle 112 is a response to three letters from St. Augustine: Ep. 56 (contained in the previous volume), Ep. 67, and Ep 104. In the face of Augustine's criticisms, Jerome defends his own en...
Christianity is a "singing church," with biblical foundations and centuries of examples in the Psalms and canticles, favorite hymns, and gospel songs. And this singing church has a history. Through engaging tales of the stories behind this music and its authors, Rorem makes church history come alive. Singing Church History journeys through an ecumenical history of church music from early and medieval times through the Reformation and the early modern world, into American and World Christianity. Throughout, Rorem shows us how these familiar hymn texts have us "singing church history" on Sunday mornings without even knowing it. Rorem's analysis of well-known hymns from diverse strains of Christianity makes Singing Church History a useful resource for students, congregations, and curious readers. Placing familiar music from Roman Catholic, Orthodox, Lutheran, Pietist, Methodist, American evangelical, historically Black, and Christian communities around the world into historical context helps us appreciate the ecumenical nature of our musical traditions. Singing Church History includes hymn texts for easy reference.