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Ten years after completing his work The Last Communion of Saint Jerome, Bolognese painter Domenichino was accused by his rival Giovanni Lanfranco of stealing the idea for the painting from an altarpiece crafted by Lanfranco’s teacher, Agostino Carracci. The resulting scandal reverberated through the centuries, drawing responses by artists and critics from Poussin and Malvasia to Fuseli and Delacroix.Why was Domenichino attacked in this way when other related paintings--including Raphael’s Marriage of the Virgin and Perugino’s painting of the same subject--aroused no such negative response? In this fast-paced book, Elizabeth Cropper investigates the Domenichino affair and addresses the perennial debate regarding the precise nature of originality and of imitation. She offers close readings of the paintings involved in the story, detailed analysis of attitudes toward imitation, emulation, and plagiarism, and a fascinating discussion of what Domenichino’s plight signifies in art history.
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In 1939 a girl was born in the Aspromonte mountains of Calabria, a beautiful land steeped in history and suffused with tradition but weighed down by poverty and the 'Ndrangheta - Calabria's Mafia. As the tremors of World War II shake the heart of Calabria, so the little girl's childhood unfolds. Her life is simple, revolving around school, friendship, family. At its heart is the kitchen where the dramas and joys of family life are played out and where her mother, Giulia, creates delicious Mediterranean dishes. In this rich and heartfelt memoir, which includes many of her mother's recipes, Grazia Ietto Gillies, with humour, affection and a critical eye, remembers her youth in Calabria, from childhood sickness and her unusual extended family to the excitement of religious festivals and an incident with the feared 'Ndrangheta. Now, sixty years later, she realises that Calabria has defined everything she has ever done and that she has never really left the mountains of her childhood.
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This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.