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San Francisco in 1978 is a place of urban chaos. But for Diego Contreras it represents a dream of artistic success. As a recent college graduate from an immigrant family, he moves from Los Angeles to find something worth believing in and meets Saloma Sevilla, a wealthy Filipino-Chinese graduate student.Diego and Saloma develop an intense relationship through a series of adventures and misadventures. They must overcome the barriers of social class, family life, and past sexual abuse, as well as deal with a cast of quirky 1970s characters— drug-addled creative writing students, pompous professors, hangars-on in a boarding house, and tiresome family members.The City of San Francisco also shapes them. The mayor and city supervisor have been assassinated, an active shooter takes hostages in a downtown office building, the “ White Night” riots have engulfed the Castro District and City Hall, and the Weather Underground has bombed a police station. Diego and Saloma must negotiate all this and come to terms with their own quiet limit of the world.
The essays in this volume use a humanistic viewpoint to explore the evolution and significance of the vampire in literature from the Romantic era to the millennium."--BOOK JACKET.
The various monsters that people 1950s sf - giant insects, prehistoric creatures, mutants, uncanny doubles, to name a few - serve as metaphorical embodiments of a varied and complex cultural paranoia."--BOOK JACKET. "Hendershot provides both theoretical discussion of paranoia and close readings of sf films in order to construct her argument, elucidating the various metaphors used by these films to convey a paranoiac view of a society forever altered by the atomic bomb."--BOOK JACKET.
Pop culture portrayals of medieval and early modern monarchs are rife with tension between authenticity and modern mores, producing anachronisms such as a feminist Queen Isabel (in RTVE’s Isabel) and a lesbian Queen Christina (in The Girl King). This book examines these anachronisms as a dialogue between premodern and postmodern ideas about gender and sexuality, raising questions of intertemporality, the interpretation of history, and the dangers of presentism. Covering a range of famous and lesser-known European monarchs on screen, from Elizabeth I to Muhammad XII of Granada, this book addresses how the lives of powerful women and men have been mythologized in order to appeal to today’s audiences. The contributors interrogate exactly what is at stake in these portrayals; namely, our understanding of premodern rulers, the gender and sexual ideologies they navigated, and those that we navigate today.
Boswell (English, Eastern Illinois U., Charleston) and Loukides (English, Albion College) examine cinematic renditions of the rituals of the godfathers, childhood occasions, weddings, wakes, funerals, burials, and luminous moments. They include no illustrations. Annotation copyrighted by Book News, Inc., Portland, OR
Was there really professional basketball before the NBA? Indeed there was. It was a rugged game but one that continued to evolve swiftly from its invention in 1891. The original Celtics were at the vanguard of this creation and development. The team began as a local group of young Irishmen from the Hell's Kitchen area of New York City in 1914. Through shrewd acquisitions of top players, they were transformed into the most powerful basketball team of their time. In the period from 1919 to 1928 the Celtics won over seven hundred games with fewer than sixty losses. This book chronicles the team, the players, the league seasons and the early era of professional basketball.
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