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Animating Difference
Animating Difference studies the way race, ethnicity, sexuality, and gender are portrayed in recent animated films from 1990 through the present. Ranging from Aladdin to Toy Story to Up, these popular films are key media through which children (and adults) learn about the world and how to behave. While racial and gender stereotypes may not be as obvious as they may have been in films of decades past, they often continue to convey troubling messages and stereotypes in subtle and surprising ways.
Latino History and Culture
Latinos are the fastest growing population in America today. This two-volume encyclopedia traces the history of Latinos in the United States from colonial times to the present, focusing on their impact on the nation in its historical development and current culture. "Latino History and Culture" covers the myriad ethnic groups that make up the Latino population. It explores issues such as labor, legal and illegal immigration, traditional and immigrant culture, health, education, political activism, art, literature, and family, as well as historical events and developments. A-Z entries cover eras, individuals, organizations and institutions, critical events in U.S. history and the impact of the Latino population, communities and ethnic groups, and key cities and regions. Each entry includes cross references and bibliographic citations, and a comprehensive index and illustrations augment the text.
Projecting 9/11
Projecting 9/11 examines sensibilities and ideologies that arose after September 11, 2001, and how these intersect with issues of race, gender, sexuality, and citizenship in contemporary mainstream films. The authors argue that the social and political project that is “9/11” can be found in most cultural artifacts produced after the date, including film. In essence, Hollywood films project the 9/11 project. The book analyzes the specific ways in which recent Hollywood films have become both powerful forces of significance and also forceful representations of reality about post-9/11 life. From films that explicitly treat subjects related to 9/11, such as United 93 and Extremely Loud and Incredibly Close, to films that show post-9/11 themes in less-expected ways, such as Eat, Pray, Love and World War Z, the authors explore tensions around race, gender, and sexuality. The book examines our perceptions of reality after the events of September 11, 2001, as shown by one of the more influential means of cultural representation—Hollywood films.
A New Kind of Containment
This book addresses “containment” as it relates to interlocking discourses around the “War on Terror” as a global effort and its link to race and sexuality within the United States. The project emerged from the recognition that the events of 11 September 2001, prompted new efforts at containment with both domestic and international implications.
Containing (un)American Bodies
¿The authors argue that queer, black, brown, and foreign bodies, and the so-called threats they represent, such as immigration reform and same-sex marriage, have been effectively linked with terrorism. These awful conflations¿ are enduring and help to explain the contradictions of contemporary U.S. politics. We are far from a post post-9/11 world.¿ Ronald R. Sundstrom, Associate Professor, Department of Philosophy, The University of San Francisco, United States ¿If you want to understand how a new biopolitics of citizenship is containing bodies of the nation by re-inscribing sex and race into it and how this new biopolitics is being resisted you must read this book.¿ Engin F. Isin, Professor, Department of Politics and International Studies, The Open University, United Kingdom
Latino History and Culture
Latino History and Culture covers the myriad ethnic groups that make up the Latino population. It explores issues such as labor, legal and illegal immigration, traditional and immigrant culture, health, education, political activism, art, literature, and family, as well as historical events and developments.
Feminism after 9/11
This book is about social phenomena that directly acknowledge the structures and ideologies emerging after September 11, 2001. It considers how these structures and ideologies manage, control, and contain specific bodies with respect to race/ethnicity, gender, sexuality, and citizenship status. Inflections presented via “9/11” come into play against a backdrop shaped by established patterns of behavior and attitudes toward women and particular groups of people within an American landscape. As a result, existing notions of threat combine with 9/11 inflections to shape a specific conception of threat in a context “after” 9/11, and within this context, a feminism “after” 9/11 emerges. This contextualized feminism would have to develop its analysis within the frame of a society fundamentally altered by the events of 9/11, including its ideological aftermath, by foregrounding pertinent social categories as they interplay with women’s bodies.
Race, Philosophy, and Film
This collection fills a gap in the current literature in philosophy and film by focusing on the question: How would thinking in philosophy and film be transformed if race were formally incorporated moved from its margins to the center? The collection’s contributors anchor their discussions of race through considerations of specific films and television series, which serve as illustrative examples from which the essays’ theorizations are drawn. Inclusive and current in its selection of films and genres, the collection incorporates dramas, comedies, horror, and science fiction films (among other genres) into its discussions, as well as recent and popular titles of interest, such as Twilight, Avatar, Machete, True Blood, and The Matrix and The Help. The essays compel readers to think more deeply about the films they have seen and their experiences of these narratives.
Postethnophilosophy
This book makes a bold announcement for the beginning of a postethnophilosophical phase in modern African thought. It re-considers the question: “What is African philosophy,” and introduces a strategy for setting a broad and productive agenda for contemporary African philosophical thought.
Love as a Guide to Morals
Love as a Guide to Morals is an entry-level introduction to the ethical importance of love. Written in conversational format this book looks uniquely at the complexity of love in human relationships and how love can guide ethical decision-making. The book suggests that love in all its intricacy—erotic/erosic love, friendship, affection, and agapic love—is the great good of human life. The book argues that love has a unifying power for morality, and is more suited to ethical thinking and practice than any other idea. Love as a Guide to Morals uses a modified Aristotelian argument (after Alsdair MacIntyre) and suggests “loving relationships” rather than happiness as the goal of human life.
