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Saturday Night at the Savoy
  • Language: en
  • Pages: 888

Saturday Night at the Savoy

  • Type: Book
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  • Published: 2005
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  • Publisher: Unknown

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Dissertation Abstracts International
  • Language: en
  • Pages: 556

Dissertation Abstracts International

  • Type: Book
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  • Published: 2006
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  • Publisher: Unknown

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The University of Virginia Record
  • Language: en
  • Pages: 894

The University of Virginia Record

  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

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The Urban Scene
  • Language: en

The Urban Scene

Examines the portrayal of race in interwar American art. Focuses on the works of urban realist Reginald Marsh and his contemporaries to show how black figures acted as cultural and visual markers and embodied complex concerns about the presence of African Americans in urban centers.

Directory [of] Officers, Faculty, and Staff and Associated Organizations
  • Language: en
  • Pages: 606

Directory [of] Officers, Faculty, and Staff and Associated Organizations

  • Type: Book
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  • Published: 1999
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  • Publisher: Unknown

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Journal of the Archives of American Art
  • Language: en
  • Pages: 144

Journal of the Archives of American Art

  • Type: Book
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  • Published: 2005
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  • Publisher: Unknown

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Landscape of Slavery
  • Language: en
  • Pages: 188

Landscape of Slavery

  • Categories: Art

Through eighty-nine color plates and six thematic essays, this collection examines depictions of plantations, plantation views, and related slave imagery in the context of the history of landscape painting in America, while addressing the impact of these images on US race relations.

Archibald Motley Jr. and Racial Reinvention
  • Language: en
  • Pages: 360

Archibald Motley Jr. and Racial Reinvention

An essential African American artist of his era, Archibald Motley Jr. created paintings of black Chicago that aligned him with the revisionist aims of the New Negro Renaissance. Yet Motley's approach to constructing a New Negro--a dignified figure both accomplished and worthy of respect--reflected the challenges faced by African American artists working on the project of racial reinvention and uplift. Phoebe Wolfskill demonstrates how Motley's art embodied the tenuous nature of the Black Renaissance and the wide range of ideas that structured it. Focusing on key works in Motley's oeuvre, Wolfskill reveals the artist's complexity and the variety of influences that informed his work. Motley’s paintings suggest that the racist, problematic image of the Old Negro was not a relic of the past but an influence that pervaded the Black Renaissance. Exploring Motley in relation to works by notable black and non-black contemporaries, Wolfskill reinterprets Motley's oeuvre as part of a broad effort to define American cultural identity through race, class, gender, religion, and regional affiliation.

Slavery and the University
  • Language: en
  • Pages: 365

Slavery and the University

Slavery and the University is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post-Civil War era to the present day. The collection feat...

Student Directory
  • Language: en
  • Pages: 430

Student Directory

  • Type: Book
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  • Published: 2004
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  • Publisher: Unknown

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