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A fascinating examination of the Bible's influence on seventy-three self-taught artists and 122 works of art
MORE PRECIOUS THAN A CROWN
【A story by USA Today bestselling author becomes a comic!】Trinity was reunited with her first love, Zahid, at her?brother’s wedding. She never thought she would see him again. Zahid was her brother’s friend and prince of the desert kingdom Ishla. Ten years ago, she fell in love with him and they kissed, but then he returned home and she never saw him again. After her brother’s vows, she?has the chance to see Zahid again, and she is full of fond memories and happiness…until she overhears that Zahid is to be married!
The New Encyclopedia of Southern Culture
Folk art is one of the American South's most significant areas of creative achievement, and this comprehensive yet accessible reference details that achievement from the sixteenth century through the present. This volume of The New Encyclopedia of Southern Culture explores the many forms of aesthetic expression that have characterized southern folk art, including the work of self-taught artists, as well as the South's complex relationship to national patterns of folk art collecting. Fifty-two thematic essays examine subjects ranging from colonial portraiture, Moravian material culture, and southern folk pottery to the South's rich quilt-making traditions, memory painting, and African American vernacular art, and 211 topical essays include profiles of major folk and self-taught artists in the region.
Thinking and Seeing with Women in Revelation
Lynn R. Huber argues that the visionary aspect of Revelation, with its use of metaphorical thinking and language, is the crux of the text's persuasive power. Emerging from a context that employs imagery to promote imperial mythologies, Revelation draws upon a long tradition of using feminine imagery as a tool of persuasion. It does so even while shaping a community identity in contrast to the dominant culture and in exclusive relationship with the Lamb. By drawing upon the work of medieval and modern visionaries, Huber answers a call to examine the way 'real' readers engage with biblical texts. Revealing how Revelation continues to persuade audiences through appeals to the visual and provocative imagery she offers a new sense of how the text metaphorical language simultaneously limits and invites new meaning, unfurling a range of interpretations.
Edward And The Christmas Grumps
An amazing Advent countdown adventure set in the kingdom of Santarctica. Can Edward and Jill outwit the dimwit grumbling grumps? The Grumbling begins! “When children dream of Christmas it’s usually about the wonderful things like Santa, Rudolph and his elves, but Edward and Jill’s dream of Christmas is turning seriously GRUMPY. There’s a terribly bad case of the Christmas Grumps! Join Edward and Jill on their exciting adventure in the kingdom of Santarctica as they discover gifts hidden behind the doors of Archie the magical Advent calendar. Can they use these gifts wisely and save Christmas from being cancelled forever?” 58,000 words. 120 original colour watercolour illustrations....
Truth
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Moses, Jesus, and the Trickster in the Evangelical South
Paul Harvey uses four characters that are important symbols of religious expression in the American South to survey major themes of religion, race, and southern history. The figure of Moses helps us better understand how whites saw themselves as a chosen people in situations of suffering and war and how Africans and African Americans reworked certain stories in the Bible to suit their own purposes. By applying the figure of Jesus to the central concerns of life, Harvey argues, southern evangelicals were instrumental in turning him into an American figure. The ghostly presence of the Trickster, hovering at the edges of the sacred world, sheds light on the Euro-American and African American fo...
We Are Made of Stories
A richly illustrated history of self-taught artists and how they changed American art Artists without formal training, who learned from family, community, and personal journeys, have long been a presence in American art. But it wasn’t until the 1980s, with the help of trailblazing advocates, that the collective force of their creative vision and bold self-definition permanently changed the mainstream art world. In We Are Made of Stories, Leslie Umberger traces the rise of self-taught artists in the twentieth century and examines how, despite wide-ranging societal, racial, and gender-based obstacles, they redefined who could be rightfully seen as an artist and revealed a much more diverse c...
The Heart of Christmas
Have Yourself a Historical and Inspirational Christmas! Let the Christ of Christmas prepare your heart for the celebration of His birth through a devotional journey beginning December 1st and climaxing Christmas day. Each of the twenty-five devotions includes a Scripture reading, carol, and questions for meditation and discussion. The acronym C-H-R-I-S-T-M-A-S (Christ, History, Resurrection, Incarnation, Santa Claus, Traditions, Miracles, Advent, Salvation) is used to focus on who Christ is and why He came.
Spirit of the Arts
A contribution to the field of theological aesthetics, this book explores the arts in and around the Pentecostal and charismatic renewal movements. It proposes a pneumatological model for creativity and the arts, and discusses different art forms from the perspective of that model. Pentecostals and other charismatic Christians have not sufficiently worked out matters of aesthetics, or teased out the great religious possibilities of engaging with the arts. With the flourishing of Pentecostal culture comes the potential for an equally flourishing artistic life. As this book demonstrates, renewal movements have participated in the arts but have not systematized their findings in ways that express their theological commitments—until now. The book examines how to approach art in ways that are communal, dialogical, and theologically cultivating.
