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Charlotte Perkins Gilman
The focus of Carol Farley Kessler's work is how Charlotte Perkins Gilman developed as a writer and how she imagined a full-blown utopia for women. This book, which offers a fresh reading of Gilman's fiction, fills a void in Gilman scholarship, in feminist utopian scholarship, and in American literary studies. Kessler provides three journeys through Gilman's life: "A Biographical Exploration'' discusses facets of her life having a substantial impact upon her utopian writing. Four themes influence this development: the legacy of ancestral expectations; her relationships to father, mother, and daughter; the experience of two marriages and a divorce; and her friendships with women. Gilman and he...
Daring to Dream
This study of American utopian fiction by women before 1950 includes exerpts from seven novels. This second edition presents a feminist revision of Edward Bellamy's influential Looking Backwards and ends with a World War II interplanetary women-centred fantasy.
Daring To Dream
Daring to Dream recovers for readers three full-length utopias never before reprinted in their entirety, four short utopian stories, and significant excerpts from five utopian novels, each carefully selected to maintain the integrity of the original. The book thus provides an overview of utopias by women in the United States from texts not otherwise easily available. Together they provide a foreground for, and feminist revision of, Edward Bellamy's popular and influential Looking\Backward (1888), as well as the imaginative underpinnings for the late twentieth-century outpouring of feminist utopias. A female narrator in 1870 dreams of a role reversal in a story in which men are confined to ho...
The Arnoldian
None
Anchor of My Life
The decades between 1880 and 1920 could represent a watershed in the history of the mother-daughter relationship--a subject ripe for extensive investigation. This study investigates conflict and harmony between the generations before, during, and after this period, drawing on a variety of sources: letters, diaries, autobiographies, prescriptive advice or "self-help" literature, and fiction. Annotation copyright by Book News, Inc., Portland, OR
Frankenstein's Daughters
Women Science fiction authors—past and present—are united by the problems they face in attempting to write in this genre, an overwhelmingly male-dominated field. Science fiction has been defined by male-centered, scientific discourse that describes women as alien "others" rather than rational beings. This perspective has defined the boundaries of science fiction, resulting in women writers being excluded as equal participants in the genre. Frankenstein's Daughters explores the different strategies women have used to negotiate the minefields of their chosen career: they have created a unique utopian science formulated by and for women, with women characters taking center stage and actively confronting oppressors. This type of depiction is a radical departure from the condition where women are relegated to marginal roles within the narratives. Donawerth takes a comprehensive look at the field and explores the works of authors such as Mary Shelley, Marion Zimmer Bradley, Ursula K. Le Guin, and Anne McCaffrey.
Women in Music
First published in 2006. Routledge is an imprint of Taylor & Francis, an Informa company.
George Eliot U.S.
George Eliot U.S. demonstrates the complex and reciprocal relationship between George Eliot's fiction and the writings of her major American contemporaries, including Nathaniel Hawthorne, Harriet Beecher Stowe, and Ralph Waldo Emerson. The book also traces Eliot's influence on subsequent American fiction. The introductory section raises methodological questions concerning influence and intertextuality and addresses the mutual reception of European and American social and cultural discourses in order to illuminate culturally motivated divergences and convergences in the authors' presentation of gender, race, and national and ethnic alterity. The book's main body discusses Eliot's and the Amer...
Women's Contribution to Nineteenth-century American Theatre
Aquesta col·lecció d'assajos mostra els múltiples aspectes de la contribució que va fer la dona, al teatre americà del segle XIX. En aquest estudi s'ensenyen diversos tipus de dones i els rols que ocupen, així com reflecteix la manera que Susan Glaspell i Sophie Treadwell van ajudar a donar forma al teatre, entre moltes altres que escriurien dècades més tard.
Womanhood in Anglophone Literary Culture
Taken together, the fourteen essays in this collection contribute to the discourse of social conditions for literary women. The essays examine relevant social, intellectual, and professional questions about the ways in which women writers contributed to conceptions of womanhood in nineteenth and twentieth century Anglophone literary culture. Contributors to this collection describe and examine several nineteenth and twentieth century women writers’ responses to patriarchal assumptions about literary merit in genres including poetry and fiction. Womanhood in Anglophone Literary Culture: Nineteenth and Twentieth Century Perspectives will be of special interest to students and faculty of women’s studies and literature written in the English language.
