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7 Miles Out
When I got out of the car he said, 'Do you have everything?' And I just said, 'Yeah,' or something equally dull and not really fit for being the last thing you ever say to your father... I stood and waved as he drove away. I watched his car turn right onto Hempshaw Lane. I watched him disappear. Ever since then I've been looking for clues. 1977. Manchester is on the verge of becoming the underground music capital of the world and seven miles away in Stockport, eleven-year-old Ann is on the verge of something equally big: puberty. Then one morning her dad takes her to school, drives away and kills himself. While her mother tries to makes sense of her grief, Ann seeks out the company of others. From runaway punks to charismatic clairvoyants, the people she meets give her insight into the strange new world around her. Growing up in the long shadow of her father's death, Ann discovers her own way to live. From acclaimed film-maker Carol Morley, this is a raw, darkly funny and powerful story of how a life can be brought back from the brink.
Night Train
A sharp twist on the noir genre from one of England’s finest fiction writers 'I worked one hundred murders,' says Detective Mike Hoolihan, an American policewoman. 'In my time I have come in on the aftermath of maybe a thousand suspicious deaths, most of which turned out to be suicides, accidentals or plain unattendeds. So I've seen them all: jumpers, stumpers, dumpers, dunkers, bleeders, floaters, poppers, bursters. But of all the bodies I have ever seen none has stayed with me, in my gut, like the body of Jennifer Rockwell. I say all this because I am part of the story I am going to tell, and I feel the need to give you some idea of where I'm coming from.' Night Train is a mystery story which lingers in the reader's mind even after Mike Hoolihan declares the case closed. ‘Tough, noir, Chandleresque’ Independent ‘Night Train is both delicate and bruising - a long drawn-out blue note. The book hangs around in the mind like smoke in a jazz club’ Telegraph Magazine
Contemporary Gothic and Horror Film
This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and, finally, the zombie film. In recent years, the concept of transnationalism has ‘trans’-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself.
A Spider and a Pig
A pig and a spider join forces to find the mayor's baby daughter, lost when a disastrous storm hits their island.
Nothing
Morley revisits the past he has long struggled to forget: his childhood in Stockport, his teenage years, and the unfathomable suicide of his depressive father. He also considers how the deaths of Ian Curtis, Elvis Presley and Marc Bolan might have had an impact on the story.
Above
“Reeled out with the chilling calmness of a Hitchcock film, Above haunts as it illuminates. Deftly told, this tale of human resilience in the face of madness is a horror classic for our times” (Lynn Cullen, bestselling author of Mrs. Poe). Blythe Hallowell is sixteen when she is abducted by a survivalist and locked away in an abandoned missile silo in Eudora, Kansas. At first, she focuses frantically on finding a way out, until the harrowing truth of her new existence settles in—the crushing loneliness, the terrifying madness of a captor who believes he is saving her from the end of the world, and the persistent temptation to give up. But nothing prepares Blythe for the burden of raisi...
Parnassus on Wheels
Parnassus on Wheels is a novel by Christopher Morley, published in 1917. The Parnassus of the title refers to the mountain that was the home of the Muses in Greek mythology. In the story, Roger Mifflin sells his traveling bookshop to Helen McGill, who tires of looking after Andrew, her ailing brother. Christopher Morley later continued the story of Roger Mifflin in his 1919 novel The Haunted Bookshop.
The Invisible Gift
Over the past 25 years, award-winning writer David Morley has become known as one of Britain's most original poets. Renowned for his energy and linguistic inventiveness, Morley is a master storyteller. From Romani tales to sharply observed lyrics about nature, from political allegory to vividly imagined histories, the poetry in this collection evokes the enchantment and truth of the natural world and our place in it.
Love at Café Lompar
Grace believed she had the ideal marriage, but after Dan dies, she finds proof he had another family. Kat can't admit that her father was less than perfect. Mother and daughter go to Montenegro to find out the truth. But when they track down Rosa and her son, while Grace is heart-broken, Kat can't help being thrilled to have a brother. Kat is a bullied sous chef in London, and starts helping out 'just for a few days' at Rosa's restaurant, the Cafe Lompar. Soon both women are torn between their old and new lives, facing impossible choices. Can Kat find what she's looking for? Will Grace let herself trust again? Can a journey that begins with betrayal ever end in joy?
Dark Matter
"Eye-opening and addictively readable." Total Film Who and what decides if a film gets funded? How do those who control the purse strings also determine a film's content and even its message? Writing as the director of award-winning feature films including Welcome to Sarajevo, 24 Hour Party People and The Road to Guantanamo as well as the hugely popular The Trip series, Michael Winterbottom provides an insider's view of the workings of international film funding and distribution, revealing how the studios that fund film production and control distribution networks also work against a sustainable independent film culture and limit innovation in filmmaking style and content. In addition to ref...
