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SEC Docket
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The Fillmore East
From 1968-1971, New York's Fillmore East was the greatest rock palace in the world. Kostelanetz, who attended the Fillmore religiously, has assembled a collection of his original program notes and memories on the performances and performers, including The Who, Grateful Dead, The Byrds, and Janis Joplin, to create this definitive history.
New Art Examiner
The independent voice of the visual arts.
Comic Release
Contributions by Rick Gribenas, Rob Rogers. Text by Barbara Bloemink, Vicky Clark, Ana Merino.
Art Papers
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Richmond Independent Press
An acclaimed local author recounts the evolution of Richmond’s alternative newspapers, comics, and small presses beginning in the Civil Rights Era. As the political and social upheaval of the 1960s took hold across the United States, even the sleepy town of Richmond, Virginia, experienced a countercultural shift. New attitudes about the value of journalism spurred an underground movement in the press. “The Sunflower,” Richmond’s first underground newspaper, appeared in 1967 and set the stage for a host of alternative local media lasting into the 1990s and beyond. Publications such as the “Richmond Chronicle,” “Richmond Mercury,” and “Commonwealth Times,” as well as numerous minority-focused presses such as “Richmond Afro-American,” served the progressive-minded citizens of the River City. In Richmond Independent Press, the historian, activist and former “ThroTTle” editor Dale Brumfield reveals the untold story of this cultural revolution in the River City.
Rags to Riches
Accompanying the touring exhibition Rags To Riches, this publication is the first book published in the United States to focus on the development of hand papermaking as a fine art medium. The 112-page book includes an historical survey by independent curator Trudy Hansen highlighting the growth of hand papermaking as an art medium, essay by guest curator Donna Stein, a Dieu Donné history by Founder Susan Gosin, interview with Artistic Director Paul Wong on the collaborative process, photographs of the exhibition works, a checklist of the exhibit, a chronology of Dieu Donné, a listing of 25 years of publications, artists and collaborations, a bibliography, a glossary, and an index.
Fred Tomaselli
Essays by Amy Cappellazzo and Rick Moody. Introduction by Michael Rush.
Fred Tomaselli
The exhibition Fred Tomaselli: The Early Works or How I Became a Painter will feature one video, seven installations, and twelve mixed media works dating from 1984-1992. Many of these works have not been exhibited since they were originally fabricated and this is the first time the works will be exhibited together. Tomaselli made these works prior to the paintings for which he is best known. Mostly created shortly after moving to Brooklyn, these early works were influenced by Tomaselli's punk rock roots and interest in the California Light and Space art; two movements that were never supposed to be together. One of the unifying themes in this early work is the use of low cost, nondescript commercial objects to generate perceptually modifying experiences in the viewer. The exhibition is accompanied by a book published by the Cal State Fullerton, University, Grand Central Press. The publication will document all the works in the exhibition and include essays by Contemporary Art Museum Houston, director, Bill Arning; CSUF, Begovich Gallery, director, Mike McGee; and freelance curator, writer, and Art in America contributing editor Gregory Volk.
Fred Tomaselli
Fred Tomaselli's surreal, hallucinatory and highly detailed paintings are gorgeously reproduced in this companion volume to the artist's retrospective exhibition. Originally from the West Coast and its psychedelic scene in the 70s, Tomaselli is based in Brooklyn. Complex explosions of colour and line, swirling patterns, and collages made of natural objects are signature elements of Tomaselli's work. His large-scale assemblage paintings, often built onto wooden surfaces and later varnished, are rich creations laced with historic and cultural references. They invite close viewing and this beautiful large-format volume allows readers to study in brilliant detail the intricacies of each piece. I...
