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Bubble World
After 16-year-old Freesia learnsNand tells her friendsNthat their perfect life on a luxurious tropical island is not real, she is banished from her virtual world to the "mainland," where people are ugly, school is hard, and families are dysfunctional.
What Came First
First comes love, then comes marriage, then . . . things can get a little complicated. Vanessa wants just one thing for her twenty-ninth birthday: an engagement ring from her longtime boyfriend, Eric. But when the ring turns out to be a mix CD and Eric turns out to be a guy who doesn't want to get married or have children, Vanessa considers a new path to having a family. When Wendy and her husband, Darren, couldn't have children the old- fashioned way, a sperm donor seemed like the perfect solution. She never imagined she'd have out-of-control twins who'd drive her to cookie binges and scrapbooking while Darren escaped into the virtual world of computer games. Single and career-driven, Laura didn't need a man to have a baby - at least not one that she ever met. Thanks to an anonymous donor, she shares her life with her adored eight-year-old son, Ian. She'll do anything for Ian - even fill their backyard with a bunch of noisy chickens. But the one thing Ian really wants is something Laura's never been able to give him: a sibling. Now, to grant Ian's wish, Laura starts a search that will not only change her life but Vanessa's and Wendy's as well...
Snow
Let's play out in the snow! There's a wealth of sights, sounds, smells, tastes and textures to discover and enjoy! In this series of richly illustrated books, Carol Thompson celebrates the immediate and sensory response of children to the natural world - whatever the weather!
The Seventy Prepositions
"This is a brilliant, funny, subtle book. One of Carol Snow's subjects is the tenuousness and ferocity of relationship, so it shouldn't have come as a surprise, though it does, that she has made a feast from the subject of prepositions."—Robert Hass "A poetry—post-traumatic—half-seen, half-remembered, half-named--the event more than half gone—still every half-part is a whole, when space is equal to it. Here is a new and mesmerizing way of thinking about things."—Fanny Howe "Carol Snow's staggering, ruthless poems hold a heroic quality that feels rare these days. With a string of improbable comrades--Lewis Carroll, Sappho, A.R. Luria, and the Zen gardeners of Ryoanji Temple, Kyoto--she tracks the intricate twists and turns of American language towards uncharted territory. Every fork in thought bristles with danger and decision. A brave book indeed!"—Andrew Schelling
Snow Sisters
Verity and Meredith live with their fragile artist mother, Allegra, in an ancient house on the West Wales coast. The house creaks and groans with the weight of its history, but the girls love it and never want to leave. Meredith discovers a sewing box. Once open the box releases the ghost of Angharad, a Victorian girl-child with a horrific secret. Forced to abandon Gull House for London Meredith struggles to settle, still haunted by Angharad. The girls grow apart, losing their closeness along with the shared history of Gull House.
Just Like Me, Only Better
From the author of Here Today, Gone to Maui, the story of a woman who finally got a life...some else's. Ever since Veronica's husband found the love of his life-not her-she's been a walking zombie with runny mascara. It doesn't help that she keeps getting mistaken for Haley Rush-the Hollywood starlet whose dazzling life is plastered on every magazine. When Haley's manager offers Veronica a job as a celebrity double, it only takes a moment before she says yes. Veronica gets to drive Haley's car, wear her phenomenal clothes-and have fun with her hot celebrity boyfriend, Brady Ellis. Too bad the job's only part-time, and at the end of the day she has to return to her life as a cash-strapped substitute teacher and cub scout mom. But when real sparks fly with Brady, is it a fantasy come true or a disaster in disguise?
Getting Warmer
Natalie Quackenbush is approaching thirty, drowning in debt-and living with her parents. It's the kind of small talk she'd rather avoid. So she and her friends have found a way to entertain themselves on the Scottsdale, Arizona, singles scene: lying. Which isn't a problem-until Natalie finally meets a guy she likes.
Switch
Claire Martin has some serious body issues. Not much happens in Claire's sleepy beach town, but that's okay. All she wants is to hang out with her best friend, make the high school swim team, and convince Nate, the guy of her dreams, to stop calling her "Dude." And, oh—she'd really, really like to stay in her own skin. Ever since Claire hit her teens, electrical storms have been making her switch bodies. Usually she's back to her old self in no time. But when something goes terribly wrong, she finds herself stuck as another girl. And not just any girl, but the icy beauty who has caught Nate's eye. Suddenly Claire goes from being Miss Average to Miss Gorgeous—the model-thin blonde that every girl wants to look like and every guy wants to date. Will she ever figure out how to get back to her old life? More importantly, will she want to?
Here Today, Gone to Maui
From the author of the "delightful"( Booklist) Getting Warmer, a comedy about what happens when the best lei'd plans go awry. When Jane Shea's boyfriend, Jimmy, invites her to spend a week at a swanky resort in Maui, she's thrilled-of course-but nervous, too. She worries about missing their flight. She worries about losing her luggage. It never even occurs to her that she might misplace Jimmy. But paradise has a way of attracting trouble, and Jane hasn't even managed to learn the hula or paddle under a waterfall before Jimmy disappears. When the police suggest that Jimmy has drowned, Jane thinks things can't get any worse-but her troubles have just begun. This is one vacation the guidebooks never prepared her for.
Placed
Poetry. PLACED: KARESANSUI POEMS is a poetic sequence that juxtaposes words, phrases, quotes, and lyric excerpts in the manner of stones in a Japanese dry-landscape Zen garden: karesansui. "Subtexts" identify sources of quotations, ranging from Matsuo Bash-o to the Marx Brothers. Time is stilled here, each one- or two-line poem, for rather than about insight, is both brief and durable, inviting the reader to explore and reconsider a complex of associations.
