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What is a Photograph?
Organized by ICP Curator Carol Squiers, 'What Is a Photograph?' will explore the intense creative experimentation in photography that has occurred since the 1970s. Conceptual art introduced photography into contemporary art making, using the medium in ways that challenged it artistically, intellectually, and technically and broadened the notion of what a photograph could be in art. A new generation of artists began an equally rigorous but more aesthetically adventurous analysis, which probed photography itself - from the role of light, color, composition, to materiality and the subject. 'What Is a Photograph?' brings together these artists, who reinvented photography.
The Body at Risk
The Body at Risk: Photography of Disorder, Illness, and Healing is the first book to explore the ways that photojournalists and social documentarians have conceptualized the human subject as a site of both good and ill health. The volume looks at photographs depicting child laborers; Depression-era health programs; general medical care in the southern United States at mid-century; people with HIV, AIDS, and polio, along with their caretakers and the health workers who advocate for them; environmental pollution; physical and psychological injuries received during warfare; domestic violence; and emergency care in the modern urban hospital. It brings together ten significant bodies of photographs made over the past one hundred years to show how human health topics have been represented for the general public and how the emphasis on health has shifted; how photography has been used to present and promote certain points of view about health and the social circumstances that affect it, both positively and negatively; and how photography has helped shape public knowledge of and opinion about health care and some of the events and circumstances that engender it.
Over Exposed
A group of distinguished photographers, critics, and cultural historians examine the many roles of photography in contemporary Western culture, covering questions about representation, sexual politics, public policy, and cultural activism. 40 photos.
The Critical Image
This is a collection of essays on the multitudinous uses and abuses of photography in contemporary cultural life. From photojournalism to surrealism, from green advertising to pornography, celebrated theorists and famous practitioners examine how photography shapes our perceptions, manipulates our feelings and influences our ideas.
Peek
The Kinsey Institute's pioneering work in the field of sex research resulted in a collection of over 75,000 photos and graphic illustrations, including numerous anonymous snapshots. For the first time, the public can get a peek of this rich visual resource of sexual imagery, discussed in historical context by four scholars. 40 color, 85 duotone photos.
The Cruel Radiance
In The Cruel Radiance, Susie Linfield challenges the idea that photographs of political violence exploit their subjects and pander to the voyeuristic tendencies of their viewers. Instead she argues passionately that looking at such images—and learning to see the people in them—is an ethically and politically necessary act that connects us to our modern history of violence and probes the human capacity for cruelty. Grappling with critics from Walter Benjamin and Bertolt Brecht to Susan Sontag and the postmoderns—and analyzing photographs from such events as the Holocaust, China’s Cultural Revolution, and recent terrorist acts—Linfield explores the complex connection between photojournalism and the rise of human rights ideals. In the book’s concluding section, she examines the indispensable work of Robert Capa, James Nachtwey, and Gilles Peress and asks how photography should respond to the increasingly nihilistic trajectory of modern warfare.A bracing and unsettling book, The Cruel Radiance convincingly demonstrates that if we hope to alleviate political violence, we must first truly understand it—and to do that, we must begin to look.
Illuminations
This selection of women's writings on photography proposes a new and different history, demonstrating the ways in which women's perspectives have advanced photographic criticism over 150 years, focusing it more deeply and, with the advent of feminist approaches, increasingly challenging its orthodoxies. Included in the book are Rosalind Krauss, Ingrid Sischy, Vicki Goldberg and Carol Squiers.
Laurie Simmons
"Mommy, Barbie's bashing Ken with a rolling pin! Internationally acclaimed photographer Laurie Simmons deftly uses dolls, the archetypal little girl's toy, to launch a critique of the norms of femininity, masculinity and gender that can reduce women and men to mindless stereotypes. A slyly powerful, even subversive piece of work."
The Contest of Meaning
Photography's great success gives the impression that the major questions that have haunted the medium are now resolved. On the contrary, the most important questions about photography are just beginning to be asked. These fourteen essays, with over 200 illustrations, critically examine prevailing beliefs about the medium and suggest new ways to explain the history of photography. They are organized around the questions: What are the social consequences of aesthetic practice? How does photography construct sexual difference? How is photography used to promote class and national interests? What are the politics of photographic truth? The Contest of Meaning summarizes the challenges to traditi...
Barbara Kruger
This fully illustrated catalogue is published on the occasion of the exhibition by internationally acclaimed artist Barbara Kruger at Modern Art Oxford, 28th June - 31st August 2014.Kruger created a major site-specific text installation in Modern Art Oxford's iconic Upper Gallery, as well as exhibiting a number of her celebrated 'paste-ups' from the 1980s, and an immersive four screen video installation.Employing a variety of means from film and collage to text and public installations, Kruger's practice adopts the visual devices of mass media in order to subvert the messaging which advertising, film and online media perpetuate, thereby deconstructing the strategies of power at work in our world today.The publication includes an analysis of her work by Tim Williamson, the Professor of Logic at Oxford University.
