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Truth, Dare or Promise
In this collection of autobiographical writing 12 women who grew into feminism in the 1970s look back on their childhoods. Some of the contributors grew up in homes of pinching poverty, others in an unbending orderliness, and others in an easy security. But the two great landmarks of this post-war Britain - the Welfare State and the Education Act - were a common feature which gave many of the girls a sense of possibility and of aspiration to a different future. The contributors include Alison Fell, Harriett Gilbert, Alison Hennegan, Liz Heron, Ursula Huws, Gail Lewis, Julia Pascal, Stef Pixner, Denise Riley, Sheila Rowbotham, Carolyn Steedman and Valerie Walkerdine. The editor is the author of the short-story collection A Red River.
The Age of New Waves
The Age of New Waves is a global and comparative study of new wave cinemas, from the French nouvelle vague to films from Taiwan and mainland China in the late twentieth century, that focuses on the relationships among art cinema, youth, and cities during the era of globalization.
The Dual Realm
One morning, at dawn, a woman is walking by the sea when a tidal wave suddenly appears on the horizon, approaching the shore at tremendous speed. In fear for her life, the woman races back into the town, up a hill, through a wood and takes refuge in a hotel. Initially, ‘Cara’, as we come to know her, is relieved to be safe inside its protective walls, but being unable to ascertain from the staff what has happened down in the town, or even to go outside again herself, she quickly finds her memories beginning to seem unreal, and that her need to know is much less pressing. In the dark corridors of this hotel, with only formal, de-personalised waiters, strange books, and confusing shadowy dreams, for company, Cara feels both oppressed and ‘at home’. However, when three other guests arrive, her interest in the outside world is suddenly revived and she is encouraged to contemplate the possibility of leaving the hotel with them, on their departure.
Illuminations
This selection of women's writings on photography proposes a new and different history, demonstrating the ways in which women's perspectives have advanced photographic criticism over 150 years, focusing it more deeply and, with the advent of feminist approaches, increasingly challenging its orthodoxies. Included in the book are Rosalind Krauss, Ingrid Sischy, Vicki Goldberg and Carol Squiers.
The Hourglass
Spring 2000. Paul Geddes visits Venice to research the fin-de-siècle opera singer, Esme Maguire, seeking out a cache of papers held by Eva Forrest, the widow of a collector. What he reads begins in the 1680s, moving through the city’s later history of Enlightenment and Revolution, describing a life stretched beyond human possibilities. She travels across Europe to sing in Regency London and Edinburgh, then Belle Epoque Paris, always returning to Venice, its shadows and its luminosity, its changes and its permanence. What would it be like to live for nearly 300 years, as an exceptional being who must renew herself time after time, as those she has loved age and die? Could this story be grounded in reality or be merely the product of an ageing woman’s delusion, as Paul suspects. Warily, Eva and Paul fall in love, their tentative emotions bringing them closer until, on a trip to the Dolomites, Eva’s past catches up with her.
Declaration of the Rights of Human Beings
“A declaration of rights is indispensable in order to halt the ravages of despotism.” So wrote the revolutionary Antoine Barnave in support of the Declaration of the Rights of Man and of the Citizen (1789). Over two centuries after the Great French Revolution, Raoul Vaneigem writes that today, “in a situation comparable to the condition of France on the eve of its Revolution,” we cannot limit ourselves to demanding liberties—the so-called bourgeois freedoms—that came into being with free trade, for now the free exchange of capital is the totalitarian form of a system which reduces human beings and the earth itself to merchandise. The time has come to give priority to the real ind...
Secrets of Life and Death
This volume focuses on women whose lives are entangled in the workings of the Mafia, drawing on courtroom testimonies, interviews, contemporary journalism and recent research. Individual narratives illuminate women's experiences, both as victims or active opponents.
The War of Dreams
Continues Augé's critical exploration of contemporary modernity with an examination of the role of dreams, myth and fiction in the age of satellite TV and the Internet.
The Visual Is Political
This book examines the phenomenon of feminist photography as it unfolded in Britain during the 1970s and 1980s. Klorman-Eraqi offers a unique analysis of the intersection between feminism and photography and the period's social conflicts and theoretical debates, and adds to the understanding of feminist countercultural practices produced in this moment and of their continuing relevance.
Italian Literature since 1900 in English Translation 1929-2016
Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey's Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.
