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This study of the work of Tatyana N. Tolstaya initiates the reader into the paradoxes of her fictional universe: a poetic realm ruled by language, to which the mysteries of life, imagination, memory and death are subject.
This volume is a major contribution to the study of the life, work and standing of Joseph Brodsky, 1987 Nobel Prize Laureate and the best-known Russian poet of the second half of the twentieth century. This is the most significant book devoted to him in the last 25 years, and features work by many of the leading experts on him, both in Russia and the West. Every one of the chapters makes a real contribution to different aspects of Brodsky – the growth of interest in his work, his world view and political position, and the unique aspects of his poetics. Taken together, the sixteen chapters offer a rounded interpretation of his significance for Russian culture today.
Edited by Maxim D. Shrayer, a leading specialist in Russia’s Jewish culture, this definitive anthology of major nineteenth- and twentieth-century fiction, nonfiction and poetry by eighty Jewish-Russian writers explores both timeless themes and specific tribulations of a people’s history. A living record of the rich and vibrant legacy of Russia’s Jews, this reader-friendly and comprehensive anthology features original English translations. In its selection and presentation, the anthology tilts in favor of human interest and readability. It is organized both chronologically and topically (e.g. “Seething Times: 1860s-1880s”; “Revolution and Emigration: 1920s-1930s”; “Late Soviet...
The experimental poems of a new generation of Russian writers
"Johnson traces the history of kraevedenie, showing how St. Petersburg-based scholars and institutions have played a central role in the evolution of the discipline. Distinguished from obvious Western equivalents such as cultural geography and the German Heimatkunde by both its dramatic history and unique social significance, kraevedenie has, for close to a hundred years, served as a key forum for expressing concepts of regional and national identity within Russian culture."--Jacket.
When a fire severely burned a small boy and displaced his family, it left lingering marks on the entire neighborhood. As a community pastor, Dr. Kevin Yoho not only witnessed the visible signs of despair but also came to understand the pain hidden in the flames. He will be your guide as you step outside your organizational structures through the practice of what he calls reneighboring. Crayons for the City is about training leaders to be a new kind of community network engineer who will realign their organization’s priorities, resources, and values to serve the public good. It’s a story about how one community of faith improved the lives of hundreds of families by taking a walk across the street with fresh expressions of the good news. How do leaders grow and change—from holding on to ineffective ministry models to building new connections of grace and gratitude? The journey is not an easy one for most. Crayons for the City starts with the reader’s own context and offers a new methodology of how to engage it. Awaken your own capacity to change the world. All you need to begin is this book and a box of crayons.
A History of Women's Writing in Russia offers a comprehensive account of the lives and works of Russia's women writers. Based on original and archival research, this volume forces a re-examination of many of the traditionally held assumptions about Russian literature and women's role in the tradition. In setting about the process of reintegrating women writers into the history of Russian literature, contributors have addressed the often surprising contexts within which women's writing has been produced. Chapters reveal a flourishing literary tradition where none was thought to exist. They redraw the map defining Russia's literary periods, they look at how Russia's women writers articulated their own experience, and they reassess their relationship to the dominant male tradition. The volume is supported by extensive reference features including a bibliography and guide to writers and their works.
A moving collection of autobiographical essays from a Russian poet and refugee of the Bolshevik Revolution. Marina Tsvetaeva ranks with Anna Akhmatova, Osip Mandelstam, and Boris Pasternak as one of Russia’s greatest twentieth-century poets. Her suicide at the age of forty-eight was the tragic culmination of a life buffeted by political upheaval. The essays collected in this volume are based on diaries she kept during the turbulent years of the Revolution and Civil War. In them she records conversations of women in the markets, soldiers and peasants on the train traveling from the Crimea to Moscow in October 1917, fighting in the streets of Moscow, a frantic scramble with co-workers to dig...
A wide-ranging consideration of the nature and significance of Pushkin's African heritage Roughly in the year 1705, a young African boy, acquired from the seraglio of the Turkish sultan, was transported to Russia as a gift to Peter the Great. This child, later known as Abram Petrovich Gannibal, was to become Peter's godson and to live to a ripe old age, having attained the rank of general and the status of Russian nobility. More important, he was to become the great-grandfather of Russia's greatest national poet, Alexander Pushkin. It is the contention of the editors of this book, borne out by the essays in the collection, that Pushkin's African ancestry has played the role of a "wild card" ...
Joseph Brodsky, one of the most prominent contemporary American poets, is also among the finest living poets in the Russian language. Nevertheless, his poetry and the crucial bilingual dimension of his poetic world are still insufficiently understood by Western audiences. How did the Russian-born Brodsky arrive at his present status as an international man of letters and American poet laureate? Has he been created by his bilingual experience, or has he fashioned the bilingual self as a necessary precondition for writing poetry in the first place? Here David Bethea suggests that the key to Brodsky, perhaps the last of the great Russian poets in the "bardic" mode, is in his relation to others,...