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Ashville enjoyed prosperity after the harsh and lean years of the Depression and WWII. Predominately, low-middle income, there were no social or economic divisions, all were rich in mutual respect and pride of community. As youth, the homogenic culture and ethnicity of our small-town was not recognized. The focus was on the Thursday night dances in the park, the Fourth of July celebration, and winning county sports championships. Teachers were neighbors, compassionate and dedicated to their profession. There was a sense of freedom, but is something was wrong or not to expectations, parents would know about it immediately. An attitude of optimism prevailed, unaware that Ashville, like many rural communities, was not realizing the growth of the metropolitan and industrial areas, and that for the younger generation the future was not likely to be in Ashville. Later in life we understood the blessings and meaning of small-town values, the unique shared experiences, and lasting friendships from growing up in Ashville.
"An intimate portrait of a small Southern town living through tumultuous times, this propulsive piece of forgotten civil rights history-about the first school to attempt court-ordered desegregation in the wake of Brown v. Board-will forever change how you think of the end of racial segregation in America. In graduate school, Rachel Martin volunteered with a Southern oral history project. One day, she was sent to a small town in Tennessee, in the foothills of the Appalachians, where locals wanted to build a museum to commemorate the events of August 1956, when Clinton High School became the first school in the former Confederacy to undergo court-mandated desegregation. After recording a dozen...
Three young people with the same initials, but with little else in common: Scott Marshall ; A schools’ champion athlete and sixth form student at Turnvale Academy, university is his dream. Admired by almost everyone, but especially by Gemma. Susan Matthews; A tale-teller who craves celebrity, a believer in the motto, why let the truth stand in the way of a good story. Shane Myers; A bitter thug spiralling out of control. Sergeant Porter’s public enemy number one. Three Stories woven together by events; Scott’s promising future is thrown into turmoil by accusations and mounting evidence of his guilt. Can his friends prove Scott’s conspiracy theory is not just a figment of his imaginat...
As the official handbook of the Federal Government, the United States Government Manual is the best source of information on the activities, functions, organization, and principal officials of the agencies of the Legislative, Judicial, and Executive branches. It also includes information on quasi-official agencies and international organizations in which the United States participates. Particularly helpful for those interested in where to go and whom to contact about a subject of concern is each agency's "Sources of Information" section, which provides addresses and telephone numbers for use in obtaining specifics on consumer activities, contracts and grants, employment, and publications.
When Carole Lombard was tragically killed in a plane crash on January 16, 1942, she was 33 years old and had been a film actress for almost 20 years, yet her best work probably still lay ahead. She had reached a career high point, earning praise for her talents as a comedienne as well as a dramatic actress. As well liked as she was on screen, she was equally popular off screen, known for being witty, uninhibited and a great party-giver. Blonde and beautiful, she reigned as the queen of Hollywood when she married Clark Gable, its king. This book offers a thorough examination of her too-short life and provides information about her 78 films, including cast and credits, synopses, reviews and comments. Photographs from her life and films complete the work.
Becoming Carole Lombard: Stardom, Comedy and Legacy is a historical critique of the development and reception of Carole Lombard's stardom from the classical Hollywood period to present day. Based on original archival research, Olympia Kiriakou combines theoretically informed textual analyses of Lombard's performances and star image across different media (biographies, publicity materials, photography and film) with a critical engagement of the cultural, economic, social and industrial conditions that shaped her stardom. Sitting at the intersection of feminist film theory, star studies and comedy theory, this work presents Lombard as a case study to challenge the screwball canon and existent academic discourse about female physical comedy and the alleged “delicate” female body. In doing so, it formulates a new historical approach to understanding gender, femininity, and identity in Hollywood comedies of the 1930s. Moreover, this is the first research of its kind to offer a comprehensive understanding of Lombard's stardom beyond her associations with the screwball comedy genre.
Known as the Official handbook of the Federal Government. This annual resource provides comprehensive information on the agencies of the legislative, judicial, and executive branches, as well as quasi-official agencies, international organizations in which the United States participates, boards, commissions, and committees. Each agency's description consists of a list of principal officials; a summary statement of the agency's purpose and role in the Federal Government; a brief history of the agency, including its legislative or executive authority; and a description of consumer activities, contracts and grants, employment, and publications.