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A richly illustrated examination of photography as a technology for documenting, creating, and understanding the processes of modernization in turn-of-the-century Brazil and the Amazon Photography at the turn of the twentieth century was not only a product of modernity but also an increasingly available medium to chronicle the processes of modernization. Traces of the Unseen: Photography, Violence, and Modernization in Early Twentieth-Century Latin America situates photography’s role in documenting the destruction wrought by infrastructure development and extractive capitalist expansion in the Amazon and outside the Brazilian metropole. Combining formal analysis of individual photographs w...
The Handbook of Latin American Environmental Aesthetics offers a comprehensive overview of Latin American aesthetic and conceptual production addressing the more-than-human environment at the intersection between art, activism, and critique. Fields include literature, performance, film, and other audiovisual media as well as their interactions with community activisms. Scholars who have helped establish environmental approaches in the field as well as emergent critical voices revisit key concepts such as ecocriticism, (post-)extractivism, and multinaturalism, while opening new avenues of dialogue with areas including critical race theory and ethnicity, energy humanities, queer-*trans studies...
"A transnational history of corporatism-a "third path" between capitalism and communism-centered on mid-twentieth century Brazil. Following the First World War, there was a widespread feeling that the unchecked free-market competition had given rise to financial crisis, social unrest, and chronic underdevelopment. With people and governments across the world looking for an alternative to laissez-faire capitalism, Brazil took a central role in experimenting with a "third path" between capitalism and communism: corporatism. Remaking Capitalism: A Global History of Corporatism in Brazil, 1920s-1960s argues that corporatism transformed the Brazilian state into an agent of economic development, a...
Explores the affective, ethical, and political demands that difficult reading places on readers of midcentury Latin American literature The radical formal experiments undertaken by writers across Latin America in the mid-twentieth century introduced friction, opacity, and self-reflexivity to the very act of reading. Dwelling in Fiction: Poetics of Place and the Experimental Novel in Latin America explores the limitations and the possibilities of literature for conveying place-specific forms of life. Focusing on authors such as José María Arguedas, João Guimarães Rosa, and Juan José Saer, who are often celebrated for universalizing regional themes, Ashley R. Brock brings a new critical l...
An urgent call to think on the edges, surfaces, and turns of the literary artifact when it crosses cultural boundaries In the absence of specialized programs of study, abstract discussions of China in Latin America took shape in contingent critical infrastructures built at the crossroads of the literary market, cultural diplomacy, and commerce. As Rosario Hubert reveals, modernism flourishes comparatively, in contexts where cultural criticism is a creative and cosmopolitan practice. Disoriented Disciplines: China, Latin America, and the Shape of World Literature understands translation as a material act of transfer, decentering the authority of the text and connecting seemingly untranslatabl...
A bold comparative study illustrating the creative potential of translations that embrace mutuality and resist assimilation Cannibal translators digest, recombine, transform, and trouble their source materials. Isabel C. Gómez makes the case for this model of literary production by excavating a network of translation projects in Latin America that includes canonical writers of the twentieth century, such as Haroldo and Augusto de Campos, Rosario Castellanos, Clarice Lispector, José Emilio Pacheco, Octavio Paz, and Ángel Rama. Building on the avant-garde reclaiming of cannibalism as an Indigenous practice meant to honorably incorporate the other into the self, these authors took up Brazili...
Cover -- Title -- Copyright -- Contents -- List of figures -- List of tables -- List of contributors -- Introduction: context collapse and the production of mediated space -- PART I Proximity and its discontents -- 1 Drone media: grounded dimensions of the US drone war in Pakistan -- 2 Location- based services in Brazil: reframing privacy, mobility, and location -- 3 Proximity awareness and the privatization of sexual encounters with strangers: the case of Grindr -- 4 Dispossession and the right to the city -- PART II Places on the move -- 5 The space of architecture as a complex context -- 6 Revolution reloaded: spaces of encounter and resistance in Iranian video games -- 7 Democracy, protest and public space: does place matter? -- 8 State, space, and cyberspace -- Index
Many scholars assert that Mexico’s complex racial hierarchy, inherited from Spanish colonialism, became obsolete by the turn of the nineteenth century as class-based distinctions became more prominent and a largely mestizo population emerged. But the residues of the colonial caste system did not simply dissolve after Mexico gained independence. Rather, Ana Sabau argues, ever-present fears of racial uprising among elites and authorities led to persistent governmental techniques and ideologies designed to separate and control people based on their perceived racial status, as well as to the implementation of projects for development in fringe areas of the country. Riot and Rebellion in Mexico...
Intimate Frontiers: A Literary Geography of the Amazon analyzes the ways in which the Amazon has been represented in twentieth century cultural production. With contributions by scholars working in Latin America, the US and Europe, Intimate Frontiers reads against the grain commonly held notions about the region —its gigantism, its richness, its exceptionality, among other— choosing to approach these rather from quotidian, everyday experiences of a more intimate nature. The multinational, pluriethnic corpus of texts critically examined here, explores a wide range of cultural artifacts including travelogues, diaries, and novels about the rubber boom genocide, as well as indigenous oral histories, documentary films, and photography about the region. The different voices gathered in this book show that the richness of the Amazon lays not in its natural resources or opportunities for economic exploit, but in the richness of its histories/stories in the form of songs, oral histories, images, material culture, and texts.
'Smith’s investigation focuses rigorously on the aesthetic complexities of these texts to demonstrate how, in a way even the authors themselves sometimes do not suspect, new ways arise of understanding their power of eco-criticism. [...] Smith’s contribution is this call, like few today, to awaken new energies in the literary and cultural criticism about the Amazon precisely because she has her feet grounded in the harsh history of the region, while her eyes are focused on different future possibilities for the region.' Felipe Martínez-Pinzón, ReVista