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This timely book chronicles the history of Hong Kong from its misty beginnings to the present day. The territory's unique and turbulent political and economic development form the backdrop to a still more compelling and human story. The essence of The Hong Kong Story is the interwoven sagas of the family dynasties and business houses - vital ingredients in transforming the barren rock' into a miracle city state. These families were by no means all British and Chinese: by the mid-nineteenth century Hong Kong was already a cosmopolitan city with a prominent American contingent. It is the collective spirit of these nationalities - grit, optimism, practicality, ruthlessness, generosity, resilien...
This fully revised and well illustrated 3rd edition of Burma intelligently evokes the magic and mystery of Burma, once the richest nation in Asia.
From 1405 until 1912, the occupant of the Dragon Throne determined the fate of China, and indeed of Asia. The Forbidden City was Imperial China's centre of power, and the world's most extravagant palace.
The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.
The principal residence of China's emperors for nearly five centuries, Beijing's Forbidden City was long shrouded in mystery, inaccessible both to common Chinese and to visitors from abroad. Exploring the palace's grand rituals and detailing the quotidian processes of its everyday life, this beautifully illustrated introduction goes beyond standard tourists' guidebooks to provide a detailed picture of the private world hidden behind imperial walls.
Accompanying an exhibition at The Courtauld Gallery, this catalogue explores one of the most important and historically neglected art forms of Renaissance Florence: cassoni - pairs of chests that were lavishly decorated with precious metals and elaborate paintings and were often the most expensive of a whole suite of decorative objects commissioned to celebrate marriage alliances between powerful families.
An investigation into the overlapping cultures of East and West in Renaissance Venice through the work of the supremely talented Bellini family
This fully revised and well illustrated 2nd edition of Burma intelligently evokes the magic and mystery of what was once the richest nation in Asia. Practical information on visas, customs, food and shopping is included.'
The friendship between William Morris and Edward Burne-Jones began when they met as undergraduates in 1853 and--despite their differences in temperament and in attitudes to political engagement--lasted until Morris's death in 1896. This friendship was one of the defining features of both their lives, and yet the overlap in their artistic projects has not previously been considered in detail. In this deeply thoughtful book, Caroline Arscott explores particular aspects of the paintings of Burne-Jones and the designs of Morris and concludes that there are close interconnections in theme, allusion, and formal strategy between the works of the two men. She suggests that themes of bodily pain, desire and appetite are central to their vision. Through careful readings of Burne-Jones's painting and Morris's designs for printed wallpapers and textiles, she shows that it is possible to bring together fine art and design in a linked discussion that illuminates the projects of both artists. Published for the Paul Mellon Centre for Studies in British Art
This catalogue accompanies the first exhibition in Britain to be devoted to Lucas Cranach the Elder (1472-1553), one of the greatest German Renaissance painters.