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Over the course of the nineteenth century, gardening came to be considered a respectable profession, providing a means to an education, a good chance of advancement and decent working conditions. The hierarchy of the garden staff became just as regimented as that of domestic servants, and progression was attained by hard work, self-improvement and ambition. Training courses and apprenticeships prepared young gardeners for their trade and horticulture became recognised as a skilled profession, with the head gardener commanding a position of influence and respect and women overcoming social barriers to join their peers on equal terms. This book explores the gardening profession within the complexities of Victorian society and the advances in science and technology that pushed the gardener further into the limelight.
The kitchen garden was once a key part of every large country home, and they are now popular destinations for visitors. This is the history of the British kitchen garden and those who tended it.
Gardening became a popular pastime in Victorian Britain with the rise of suburban gardens and a passion for the outdoors. New plant introductions from abroad brought a greater variety of plants, while improvements in technology made gardening more accessible. Gardening books and magazines spread the appeal and debate raged over the merits of colour and order versus wild and natural. The large and impressive gardens of country houses were emulated in suburban settings as the appeal of gardens and gardening spread to the masses, while the creation of public parks introduced green spaces to grey cities. As with architecture, Victorian gardens underwent a 'battle of the styles', and an explorati...
Diverse ecoGothic interpretations of Victorian gardens and their reflections of human disturbance, using material ecocritical methodology to examine uncanny vegetal agency. Monster plants, mystical trees, fairy groves, grim lakes and talking flowers are among the topics, seen through prose, poetry and painting.
The varied tastes of the Victorians extended to their gardens and landscapes, and Victorian Gardens describes the wide range of garden designs and planting styles that were created during Victoria's reign. The Victorians' inventiveness and enthusiasm for technology and industrial developments transformed professional British gardening into a sophisticated and skilled profession. Public parks, carpet bedding, kitchen gardens and glasshouse displays are only a few of the era's innovative horticultural contributions that are still enjoyed today. Many of today's gardeners are rediscovering the vibrant planting schemes popular over a century ago and we can learn much from the detailed plant lists and gardening instructions that are recorded in Victorian books and magazines.
A glorious celebration, this landmark book is an exploration of the greatest gardens, parks and landscapes in Britain, with stunning photography accompanied by insightful text from leading garden historians and conservators. It is lovingly curated by The Gardens Trust, a prominent UK conservation charity dedicated to preserving, studying and spotlighting historic gardens. Arranged chronologically, it covers around 60 individual gardens, specially selected to give a broad historical overview of British garden design from the Early Modern Period up until the Millennium. Each chapter also includes an intruiging essay, exploring the wider changes in social context, taste and style in each period...
Over the course of the nineteenth century, gardening came to be considered a respectable profession, providing a means to an education, a good chance of advancement and decent working conditions. The hierarchy of the garden staff became just as regimented as that of domestic servants, and progression was attained by hard work, self-improvement and ambition. Training courses and apprenticeships prepared young gardeners for their trade and horticulture became recognised as a skilled profession, with the head gardener commanding a position of influence and respect and women overcoming social barriers to join their peers on equal terms. This book explores the gardening profession within the complexities of Victorian society and the advances in science and technology that pushed the gardener further into the limelight.
EcoGothic gardens in the long nineteenth century provides fresh approaches to contemporary ecocritical and environmental debates, providing new, compelling insights into material relationships between vegetal and human beings. Through twelve exciting essays, the collection demonstrates how unseen but vital relationships among plants and their life systems can reflect and inform human behaviours and actions. In these entertaining essays, human and vegetal agency is interpreted through ecocritical and ecoGothic investigation of uncanny manifestations in gardens – hauntings, psychic encounters, monstrous hybrids, fairies and ghosts – with plants, greenhouses, granges, mansions, lakes, lawns, flowerbeds and trees as agents and sites of uncanny developments. The collection represents the forefront of ecoGothic critical debate and will be welcomed by specialists in environmental humanities at every level, as a timely, innovative inclusion in ecoGothic studies.
This delightful book presents Victorian gardening style and design using beautiful landscapes lavish with carpet beds, topiary, statuary, sundials, marble and stone walkways, as well as classical architectural ruins, fountains, and pools. Highlights include Osborne House, on the Isle of Wight (Queen Victoria's country home), Biddulph Grange in Staffordshire, and Down House in Kent (home to Charles Darwin). Gorgeously illustrated with over 200 beautiful color photographs plus illustrations, diagrams, and layouts of restorations and recreations, this book is sure to inspire and give the reader confidence to experiment.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.