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Victorian Stained Glass
Stained glass lost and rediscovered: 1530s-1815 -- The gothic revival: 1815-1860 -- Victorian stained glass companies: the 1860s -- Morris and Co, Holiday and Kempe: 1870-1900 -- Stained glass for the masses: 1860-1930 -- Whall, Clarke and Strachan: 1900-1930.
Traditional Building Materials
Although steel and glass dominate modern cities, Britain boasts innumerable beautiful examples of more traditional construction methods. Many date from the period before easy nationwide transportation, when materials were usually grown or extracted locally, and as a result Britain has a varied legacy of vernacular buildings that reflects its multitude of different landscapes. They display a rich and colorful palette of materials, from the honey-colored stone of the Cotswolds to the red earth of Devon and grey granite of Aberdeen. In this book, buildings historian Matthew Slocombe looks at the range of materials used for walls and roof coverings, explores the processes involved in their extraction, production and manufacture, and outlines the diverse range of skills required for their use in construction.
Victorian Country Life
During the reign of Queen Victoria, industrialisation changed every aspect of rural life. Industrial diversification led to a decline in agriculture and mass migration from country to town and city – in 1851 half the population lived in the countryside, but by 1901 only a quarter did so. This book outlines the changes and why they occurred. It paints a picture of country life as it was when Victoria came to the throne and shows how a recognisably modern version of the British countryside had established itself by the end of her reign. Cheap food from overseas meant that Britain was no longer self-sufficient but it freed up money to be spent on other goods: village industries and handcrafts were undercut by the new industrial technology that brought about mass production, and markets were replaced by shops that grew into department stores.
Clarice Cliff
There are few pieces of pottery more recognisable than those designed by Clarice Cliff. For many the epitome of Art Deco, characterised by bold colour and lines, geometric shapes, and stylised representations of the countryside, Clarice Cliff's 'bizarre' pottery is collected all over the world. Using a wealth of colour illustrations, Will Farmer traces the story of Clarice Cliff and the pottery that she created. Employed in The Potteries from the age of thirteen, Clarice was talented and resourceful, and in 1927 she was given her own studio at the Newport Pottery where, for the next twelve years, she produced a range of sought-after designs that have become icons of the age.
Chinoiserie
Chinoiserie, a decorative style inspired by the art of the Far East, gripped Britain from the late seventeenth to the early nineteenth century. Despite taking its name from the French word for 'Chinese', the style also incorporated influences from other Asian countries, helping to shape the period's popular fantasy of the 'exotic Orient'. Wealthy consumers jostled to obtain imported wallpaper, lacquered cabinets and hand-painted porcelain, while domestic manufacturers such as Royal Worcester and Chippendale met demand with mass-produced items of their own. Though interest in the style waned as the Gothic Revival took hold, many examples of Chinoiserie have been preserved. In this beautifully illustrated book, Richard Hayman tells the story of this fascinating phenomenon, and explores the profound impact of Chinoiserie on the material culture of the West.--
Keys
The oldest keys known to exist date from around 4,000 BC in Ancient Egypt. These were simple wooden cylinders that were part of a mechanism to secure doors. By the time of the Roman Empire, metal keys were in common usage and had begun to adopt the recognizable pattern of keys today. This book tells the complete story of the key, backed by numerous photos from all time periods. Today, old keys are more than just security mechanisms. They are highly collectable artifacts that can either be artistically beautiful or coldly functional, but either way, they can help us unlock the secrets of the past.
Coachbuilding
This account examines the history of coachbuilding, beginning with the coachbuilders who for generations had built horse-drawn wooden carriages, and then explaining how they turned their craft to building the bodywork of the first motorised cars. Using photographs of the different stages of coachbuilding, the author describes the materials, equipment and key techniques involved. Today the profession of coachbuilding is almost a lost art, yet as the restoration of vintage cars seeks to keep the trade alive, this book reflects back on the heyday of the coachbuilt motor car and the skilled workers that made it their craft.
Medieval Masons
A useful, concise guide to the world of the mason, during a time when stone was the principal building material and masons played an essential role in the construction of Europe's most remarkable buildings.
The Arts and Crafts Garden
The Arts and Crafts Movement espoused values of simplicity, craftsmanship and beauty quite counter to Victorian and Edwardian industrialism. Though most famous for its architecture, furniture and ornamental work, between the 1890s and the 1930s the movement also produced gardens all over Britain whose designs, redolent of a lost golden era, had worldwide influence. These designs, by luminaries such as Gertrude Jekyll and Sir Edwin Lutyens, were engaging and romantic combinations of manor-house garden formalism and the naive charms of the cottage garden – but from formally clipped topiary to rugged wild borders, nothing was left to chance. Sarah Rutherford here explores the winding paths and meticulously shaped hedges, the gazebos and gateways, the formal terraces and the billowing border plantings that characterised the Arts and Crafts garden, and directs readers and gardeners to where they can visit and be inspired by these beautiful works of art.
