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Caroline Burch experienced every parent's worst nightmare when her son Elliot was diagnosed with cancer aged just six months old. To document her experiences she kept a diary detailing the ups and downs of her son's treatment and the emotional anguish of their situation from diagnosis to remission. Almost ten years later, and with Elliot happily recovered from the condition that threatened his life, Caroline looks back at the traumatic months when there appeared to be no end in sight to the misery. Caroline's story is proof positive that there is life after cancer and a tribute to the tireless work of the individuals who help parents and their children emerge from their nightmare. A donation will be made to Macmillan Cancer Support for every copy sold.
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How do you make a rainbow? This joyful story, written by Caroline Crowe and illustrated by Cally Johnson-Isaacs, shows how to find colour and hope when days seem dim and grey: celebrating love, positivity and the precious relationship between a child and her grandad. Stuck inside on a cloudy day, a little girl asks her grandad to help her paint a rainbow on the sky. But as Grandad tells her, rainbows aren't painted on the sky, they grow out of kindness, hope, and helping other people. How Do You Make a Rainbow? is a reassuring, heart-warming story of colours, kindness, community and nature, that shows that brighter times are always around the corner.
This book explores the relationship between Queen Caroline, one of the most enigmatic characters in Regency England, and Sir William Gell, the leading classical scholar of his day. Despised and rejected by her husband, Caroline created a sphere and court of her own through patronage of scholarship. The primary beneficiary was Gell, a pioneering scholar of the classical world who opened new dimensions in the study of ancient Troy, mainland Greece, and Ithaca. Despite his achievements, Gell had scarce financial resources. Support from Caroline enabled him to establish himself in Italy and conduct his seminal work about ancient Rome and, especially, Pompeii, until her sensational trial before the House of Lords and premature death. Concluding with the first scholarly transcription of the extraordinary series of letters that Caroline wrote to Gell, this volume illuminates how Caroline sought power through patronage, and how Gell shaped classical scholarship in nineteenth-century Britain.