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Piranesi and the Modern Age
The complex appropriation of Piranesi by modern literature, photography, art, film, and architecture. The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi’s visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In Piranesi and the Modern Age, Tschudi explores the complex appropriation and continual rediscoveries of Piranesi by modern literature, photography, art, film, and architecture. Tracing the ways that the modern age constructed itself an...
The Anarchy of Silence
John Cage (1912-92) defined such a radical practice of musical composition that he changed the course of modern music in the last century and shaped a new conceptual horizon for post-war art. This book traces a path through the artist's career, from his initial works in the 1930s, pieces that broadened the parameters of percussion music by incorporating the most unconventional of instruments, leading to his 'prepared piano', moving to his famous theory on 'silence' (and the score 4'33"), his pathbreaking deployment of chance and then indeterminacy, and culminating his innovative multimedia work, which began in the 1960s and continued through the 1980s. With this book, the MACBA aims to capture the relevance of Cage's contribution to present day contemporary art. One of the sections will chart the network of repercussions as Cage's radical conceptual transformation of 'composition' entered the strategies of advanced art.
Pop Cinema
Pop Cinema is the first book devoted to moving image works which engage with the central thematics and aesthetics of Pop Art. The essays in the collection focus in on the core concerns of Pop as a widespread and ideologically complex art movement, and examine the ways in which artists in various global locations have used forms of film practice outside of the mainstream to explore those preoccupations. The book's contributors also identify the ways in which dominant Pop aesthetics flat planes of bold colour, mechanical forms of repetition, appropriation of materials from popular culture sources were adopted, reworked, or abandoned by such filmmakers. At root, the book asks three basic questions: what shapes might a Pop form of cinema take, what materials would it engage with, and what might it have to say?
Dag Alveng. Still Time
Dag Alveng is considered one of the first photo conceptual artists in a Norwegian context. The exhibition presents around 150 photographs in various formats, including vintage and new copies, and is the most comprehensive presentation of Dag Alveng's production so far.00Exhibition: Henie Onstad, Høvikodden, Norway (09.02.-06.05.2018).
Lene Berg
As Katerina Gregos states in her essay "On the Pitfalls of History: Four Films by Lene Berg," "The work of Lene Berg probes questions about the difference between truth and falsehood, between reality and fantasy, between veracity and mendacity. Berg crafts short, witty, incisive, and often humorous filmic stories, using lo-fi means such as drawing, photocopies, collage, and her own as well as found footage, to interrogate the question of history and historiography." These themes, among others, are explored in Berg's latest film, Kopfkino (2012), which was filmed over the course of two days in Berlin and focuses on eight women as they exchange stories about their line of work--the fulfillment...
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Benn's Media
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"The Lunatics are on the Loose ..."
Extensive documentation of 32 selected European Fluxus events in Aachen, Aberystwyth, Amsterdam, Berlin, Budapest, Copenhagen, Düsseldorf, London, Madrid, Nizza, Oslo, Paris, Prague, Poznan, Rotterdam, Scheveningen, Stockholm, Vilnius, Wiesbaden, Wuppertal. The exhibition and publication aim to present a new perspective on the radical art actions of Fluxus. A multimedia exhibition installation documents the Fluxus events of the 1960s and 70s and offers active encounters with art actions, artists and eyewitnesses.
