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White Liberal Identity, Literary Pedagogy, and Classic American Realism
White Liberal Identity, Literary Pedagogy, and Classic American Realism brings literary works from the turn of the last century face to face with some of the dilemmas and paradoxes that currently define white liberal identity in the United States. Phillip Barrish develops fresh analytic and pedagogical tools for probing contemporary white liberalism, while also offering new critical insights and classroom approaches to American literary realism. New ground is broken by using bold close analysis of works by canonical American realist writers such as Henry James, Edith Wharton, Mark Twain, and Kate Chopin. These contexts include an affirmative-action court case, the liberal arts classroom, and...
Affirmative Reaction
This title explores the cultural politics of hetero-normative white masculine privilege in the US. Through close readings of texts ranging from the television drama '24' to the Marvel Comics 'The Call of Duty', Carroll argues that the true privilege of white masculinity is to be mobile and mutable.
Sport and Exercise Psychology
The new edition of Sport and Exercise Psychology asks four fundamental questions that get to the heart of this flourishing discipline: What inner states influence what people think, feel, and behave? How can people manage or self-regulate their own inner states? How can sport and exercise psychology professionals help people manage their inner states? Is sport psychology just a placebo effect? Taking an applied perspective that bridges the gap between sport and exercise, the book answers these questions by covering the key topics in the field, including confidence, anxiety, self-regulation, stress and self-esteem. There are also chapters on the role of music in performance, imagery and exercise addiction. Each chapter is written by an expert in that field, and includes a range of features illustrating specific issues, either within the research literature or their practical application. This is a comprehensive and engaging overview of an evolving discipline, and will be essential reading to any student of sport and exercise psychology. It will also be of huge interest to athletes and coaches seeking an accessible understanding of the role of psychology in sport.
The Lovely Liar
Two fair-haired, blue-eyed beauties named Noella whose destinies are intertwined before they’re even born… One lives the high life in Europe with her mother and her rakish lover while the other leads a sheltered, quiet life… Until, alone, penniless and desperate, a beguiling stranger lures her into a web of deceit from which there’s no escape. Posing as her now-dead namesake, Noella Wakefield ingratiates herself with her estranged ‘brother’, the handsome but bitter Earl of Ravensdale. Too late, she realises that she is part of a murderous plot – and then, after saving him from a dagger-wielding assassin, she realises she’s in love. But how could the Earl ever love a liar? And how can true love be based on a lie?
The Social Value of Drug Addicts
In a wide-ranging analysis covering popular culture, policy, and underlying social structures, this book shows how drug addicts are socially constructed as useless burdens on society and who benefits from that portrayal.
Authorship in Film Adaptation
Authoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director that will determine how and to what end the film will imitate or depart from its original source. Autho...
Race on the QT
Winner, Ray & Pat Browne Award for Best Reference/Primary Source Work in Popular and American Culture, Popular Culture Association/American Culture Association, 2016 Known for their violence and prolific profanity, including free use of the n-word, the films of Quentin Tarantino, like the director himself, chronically blurt out in polite company what is extremely problematic even when deliberated in private. Consequently, there is an uncomfortable and often awkward frankness associated with virtually all of Tarantino’s films, particularly when it comes to race and blackness. Yet beyond the debate over whether Tarantino is or is not racist is the fact that his films effectively articulate r...
