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Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795 brings to life women’s unique and extravagant fashions of 1785-1795 in a beautifully illustrated and accessible way. The book consists of scaled patterns directly based on original French, German and English fashion plates drafted according to period-accurate shapes. The patterns encompass the full look presented in each fashion plate from garments to accessories. These are accompanied by a color image of the corresponding fashion plate, straightforward, illustrated directions for recreating the outfits, information on the material used and modelled reproductions of each plate to demonstrate what they would look like in "real life". The book focuses on unique styles often seen in fashion plates but rarely – if ever – patterned before, making this a fresh and exciting yet historically accurate take on late eighteenth-century fashion. Stitching La Mode significantly expands the understanding of transitional fashions from the late eighteenth century with concrete, physical examples of styles, perfectly suited for costume technicians and makers, costume historians and hobby costumers and re-enactors.
The making of fashionable women's dress in Georgian England necessitated an inordinate amount of manual labour. From the mantuamakers and seamstresses who wrought lengths of silk and linen into garments, to the artists and engravers who disseminated and immortalised the resulting outfits in print and on paper, Georgian garments were the products of many busy hands. This Element centres the sartorial hand as a point of connection across the trades which generated fashionable dress in the eighteenth century. Crucially, it engages with recreation methodologies to explore how the agency and skill of the stitching hand can inform understandings of craft, industry, gender, and labour in the eighteenth century. The labour of stitching, along with printmaking, drawing, and painting, composed a comprehensive culture of making and manual labour which, together, constructed eighteenth-century cultures of fashionable dress.
Charts the rise of consumerism and the new cosmopolitan material cultures that took shape across the globe from 1500 to 1820.
Technology, tourism, politics, and law have connected human beings around the world more closely than ever before, but this closeness has, paradoxically, given rise to fear, distrust, and misunderstanding between nation-states and religions. In light of the tensions and conflicts that arise from these complex relationships, many search for ways to find peace and understanding through a “global public sphere.” There citizens can deliberate on issues of worldwide concern. Their voices can be heard by institutions able to translate public opinion into public policy that embraces more than simply the interests and ideas of the wealthy and the empowered. Contributors to this volume address va...
Each new edition of this respected resource is a comprehensive recording the scope of African American achievement. Who's Who Among African Americans provides biographical and career details on more than 20,000 notable African American individuals, including leaders from sports, the arts, business, religion and more. Includes geographic and occupational indexes as well as an obituary section updating entries for listees who have died since the previous edition.
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Through object-based case studies of garments from the ancient past through to the 21st century, Margaret Maynard reveals the countless ways the temporal is woven into our attire. From the physical effects of age on garments to their changing cultural significance, time and fashion are inextricably linked. Every garment has its own pace and narrative, and every dress practice is rich with temporal associations: 'wearing' time in the form wristwatches, marking key moments in time from marriage to death, 'defying' time with beauty products, preserving and re-imagining time through vintage, and concepts of 'timeless' and 'classic' styles. This ground-breaking book presents a complete rethinking of the study of global fashion history, revealing the complex nature of changing fashion when viewed through the lens of time and challenging Eurocentric approaches such as the periodization of style and the arbitrary division of 'western' and 'non-western' fashion. Fashion in Time is essential reading for students and scholars of fashion and dress history, material culture studies, cultural anthropology, archaeology and related fields.
Provides biographical and career details on notable African American individuals, including leaders from sports, the arts, business, religion and other fields.
This beautifully illustrated book explores the rich complexity of Regency clothing through the lens of the collected writings of Jane Austen.
List of Illustrations List of Charts and Tables Acknowledgements List of Abbreviations -- 1. Introduction: Making Material Lives Material Life Writing The Consumer Culture of Making Four Material Lives -- 2. Material Accounting: A Sartorial Account Book Barbara Johnson (1738?1825) Educating Barbara Johnson Accounting for Herself Material Literacy A Chronicle of Fashion -- 3. Dress of the Year: Watercolours Ann Frankland Lewis (1757?1842) Sartorial Timekeeping and the Fashion Plate Accomplishment and Creative Practice Society and Fashionable Display Selfhood, Emotion and the Mourning Watercolours -- 4. Adorned in Silk: Dressed Prints Sabine Winn (1734?1798) Paper Textiles, Dress and the Dressed Print Sabine Winn's Dressed Prints Print and Making at Nostell -- 5. Fashions in Miniature: Dolls Laetitia Powell (1741?1801) The Powell Dolls Mimetic Dolls and Miniature Selves Dolls as Sartorial Social Narrators -- 6. Conclusion: Material Afterlives Glossary Bibliography Index.