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In the year 1800, South Carolina was home to more Jews than any other place in North America. As old as the province of Carolina itself, the Jewish presence has been a vital but little-examined element in the growth of cities and towns, in the economy of slavery and post-slavery society, and in the creation of American Jewish religious identity. The record of a landmark exhibition that will change the way people think about Jewish history and American history, A Portion of the People: Three Hundred Years of Southern Jewish Life presents a remarkable group of art and cultural objects and a provocative investigation of the characters and circumstances that produced them. The book and exhibition are the products of a seven-year collaboration by the Jewish Historical Society of South Carolina, the McKissick Museum of the University of South Carolina, and the College of Charleston. Edited and introduced by Theodore Rosengarten, with original essays by Deborah Dash Moore, Jenna Weissman Joselit, Jack Bass, curator Dale Rosengarten, and Eli N. Evans, A Portion of the People is an important addition to southern arts and letters. A photographic essay by Bill Aron, who has documented Jewish
In doing so, de la Cova sheds new light on the connections between Southern and Cuban society, the workings of coastal defenses during the Civil War, and the vicissitudes of Reconstruction for a Cuban expatriate."--Jacket.
“Anna Calhoun Clemson was John C. Calhoun’s favorite child. After reading Ann Russell’s biography based on Anna’s letters, one finds it easy to understand why. The product of a famous family and an exceptional woman, Anna was also, as Russell ably demonstrates, very much “a southern lady.” Her story—her “life’s journey,” as Calhoun told his daughter her life would be–gives us a glimpse of an important southern family, of southern womanhood, of heartbreak and difficulty, of a nation torn apart by sectional conflict. Like Mary Chesnut’s famous diary, Anna’s letters, the crux of Russell’s study, provide us with a rich, detailed picture of southern life, both personal and public.”
In Entangled by White Supremacy: Reform in World War I-era South Carolina, Janet G. Hudson analyzes World War I-era South Carolina, a state whose white minority maintained political power by rigidly enforcing white supremacy over its African American majority. Considering the aspirations and actions of both black and white reformers, Hudson looks at African American activism, the vigor of white reformers, and the influence of a multifaceted ideology of white supremacy that became a barrier to the region’s progress. Detailing African American resistance to white supremacy long before the traditional Civil Rights era, the book illuminates the critical nature of South Carolina to the civil rights movement and to the later demise of Progressivism.
Fathers of Conscience examines high-court decisions in the antebellum South that involved wills in which white male planters bequeathed property, freedom, or both to women of color and their mixed-race children. These men, whose wills were contested by their white relatives, had used trusts and estates law to give their slave partners and children official recognition and thus circumvent the law of slavery. The will contests that followed determined whether that elevated status would be approved or denied by courts of law. Bernie D. Jones argues that these will contests indicated a struggle within the elite over race, gender, and class issues--over questions of social mores and who was truly family. Judges thus acted as umpires after a man's death, deciding whether to permit his attempts to provide for his slave partner and family. Her analysis of these differing judicial opinions on inheritance rights for slave partners makes an important contribution to the literature on the law of slavery in the United States.
This is an exhaustive reference work of sheet music published in the United States from the late 18th century to the year after adoption of the 19th amendment to the Constitution granting women the right to vote. In chronological order, the entries present bibliographic data (words by, music by, published in, published by, copyright, size, cover, inside, key, location) on each piece of music, a photographic depiction of the cover or first page (where available), and the complete lyrics for each piece. Included are early music of a rebellious nature, music surrounding the early woman's rights conventions, and pro and anti woman's rights and suffrage pieces from 1795 on; a limited number of entries on non-U.S. sheet music are presented also. General music about women, sentimental and love songs, and songs related to traditional roles and stereotypes have not been included.
Siskiyou County Library has vol. 1 only.
Emmala Reed's journals from 1865 and 1866 present a detailed account of life in western South Carolina as war turned to reconstruction. Reed's postwar writings are particularly important given their rarity - many Civil War diarists stopped writing at war's end. Also unlike many diarists of the period, Reed lived in a small town rather than on a plantation or in an urban center.
At the close of the American Revolution, Charleston, South Carolina, was the wealthiest city in the new nation, with the highest per-capita wealth among whites and the largest number of enslaved residents. Maurie D. McInnis explores the social, political, and material culture of the city to learn how--and at what human cost--Charleston came to be regarded as one of the most refined cities in antebellum America. While other cities embraced a culture of democracy and egalitarianism, wealthy Charlestonians cherished English notions of aristocracy and refinement, defending slavery as a social good and encouraging the growth of southern nationalism. Members of the city's merchant-planter class he...