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From Cahiers d’Art, a monograph on one of the most ambitious collections of 20th-century art, and its complex, charismatic creator, Theodor Ahrenberg. Living with Matisse, Picasso, and Christo explores one of the most ambitious, and yet largely unknown, private collections of twentieth-century Western art, and its charismatic creator Theodor “Teto” Ahrenberg (1912–1989). Containing over 6,000 artworks acquired between the 1940s and late 1980s, Ahrenberg’s collection features key works by artists as distinguished and diverse as Pablo Picasso, Henri Matisse, Marc Chagall, Le Corbusier, Olle Bartling, Sam Francis, Öyvind Fahlström, Tadeusz Kantor, Lucio Fontana, Christo, Jean Tingue...
Based on the history of knowledge, the contributions to this volume elucidate various aspects of how, in the early modern period, artists’ education, knowledge, reading and libraries were related to the ways in which they presented themselves
Art and the Global Economy analyzes major changes in the global art world that have emerged in the last twenty years including structural shifts in the global art market; the proliferation of international art fairs, biennials and blockbuster exhibitions; and the internationalization of the scope of contemporary art. John Zarobell explores the economic and social transformations in the cultural sphere, the results of greater access to information about art, exhibitions, and markets around the world, as well as the increasing interpenetration of formerly distinct geographical domains. By considering a variety of locations—both long-standing art capitals and up-and-coming centers of the future—Art and the Global Economy facilitates a deeper understanding of how globalization affects the domain of the visual arts in the twenty-first century. With contributions by Lucia Cantero, Mariana David, Valentin Diaconov, Kai Lossgott, Grace Murray, Chhoti Rao, Emma Rogers and Michelle Wong.
Three Women meets Crudo: a frank and fresh literary debut about the dawn of dating apps in Amsterdam. ‘Sexual infidelity is unavoidable, for whatever reasons, in long monogamous relationships, so why not give the other sexual freedom, as a gesture of love, of communication maybe?’ Amsterdam in 2014 is an historic city situated at the heart of the future. One of the biggest hubs for internet traffic in the world, it has become a favourite testing-ground for the new internet platforms that form the vanguard of what has been coined ‘the sharing economy’. Gabrielle Bloom is a woman in her mid-40s, working as an exhibition curator. She is happily married to Anton and loves her son Victor....
Published to accompany an exhibition held at the San Francisco Museum of Modern Art, May 21-Sept. 6, 2011, the Reunion des Musees Nationaux-Grand Palais, Paris, Oct. 3, 2011-Jan. 16, 2012, and the Metropolitan Museum of Art, New York, Feb. 21-June 3, 2012.
Containing colour images, this book brings together a variety of projects of a differing scale - from an early exhibition in his parents' house to Acid Brass, the recording and collaboration with a brass band playing Acid House anthems.
Writings from 1990-2006 by visionary curator Hans Ulrich Obrist.
This book presents 123 calling cards of artists (painters, sculptors, photographers, architects, graphic designers, illustrators etc.) from the 18th century to the present day. The facsimiled cards are slipped like bookmarks into a book by several authors on the history of the use of calling cards, the social context in which they were produced, and related historical and fictional narratives. The often unexpected graphic qualities of these personalized objects, each designed to capture an individual identity within the narrow confines of a tiny rectangle card, implicitly recount a history of taste and typographic codes in the West. But this calling card collection also lays the foundations ...
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An artist's mobile museum in the tradition of Robert Filliou and Marcel Broodthaers Founded in Brussels in 2013 by Pierre Leguillon (born 1969), the Museum of Mistakes is a traveling exhibition composed of postcards, record sleeves, posters, pieces of fabric, ceramics, folk art and children's drawings. This book, the first on the museum, also includes items deemed too small or fragile to take on tour.