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María Elvia de Hank
Maria Elvia de Hank is a view from within by photographer and author Yvonne Venegas, that observes the life, family, and circle of María Elvia de Hank, the wife of the eccentric millionaire and former mayor of Tijuana Jorge Hank Rohn. As the axis of the project, the wife of one of the richest businessmen in Mexico is observed creating, with her perfectionists touch, a social ideal that takes its place as an example in both public and private life. This feminine axis, perfectly administered, is portrayed against the background that supports it, occasionally awakening doubts in the spectator as to its veracity. A mansion, a collection of animals, a soccer team and its fans, a casino, a school...
San Francisco Museum of Modern Art
Edited by Janet Bishop, Corey Keller, Sarah Roberts. Foreword by Neal Benezra. Text by Gary Garrels, Henry Urbach, Sandra S. Phillips, et al.
Matisse/Diebenkorn
This catalogue is published by The Baltimore Museum of Art and the San Francisco Museum of Modern Art in association with DelMonico Books * Prestel, Munich, London, and New York, on the occasion of the exhibition Matisse/Diebenkorn, held at The Baltimore Museum of Art, October 23, 2016-January 29, 2017, and at the San Francisco Museum of Modern Art, March 11-May 29, 2017.
Wright Morris
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Joan Mitchell
"Lots of painters are obsessed with inventing something," American painter Joan Mitchell (1925-92) said in 1986. "When I was young, it never occurred to me to invent. All I wanted to do was paint." Throughout her life Mitchell remained committed to totally autonomous abstract painting, always driven by this fundamental love for the craft and technique of painting. In a career spanning more than four decades, Mitchell's painting style married the dynamic gesture of the Abstract Expressionists, her generational peers, to a keen sensitivity to natural phenomena such as light and water. Characterized by an intense color palette and fresh gestural energy, often applied on a very large scale, Mitc...
The Philosophy of Andy Warhol
In The Philosophy of Andy Warhol, the enigmatic, legendary Warhol makes the reader his confidant on love, sex, food, beauty, fame, work, money, success, and much more. Andy Warhol claimed that he loved being outside a party—so that he could get in. But more often than not, the party was at his own studio, The Factory, where celebrities—from Edie Sedgwick and Allen Ginsberg to the Rolling Stones and the Velvet Underground—gathered in an ongoing bash. A loosely formed autobiography, told with his trademark blend of irony and detachment, this compelling and eccentric memoir riffs and reflects on all things Warhol: New York, America, and his childhood in McKeesport, Pennsylvania, as well as the explosion of his career in the sixties, and his life among the rich and famous.
Modern Art Desserts
Taking cues from works by Andy Warhol, Frida Kahlo, and Matisse, pastry chef Caitlin Freeman, of Miette bakery and Blue Bottle Coffee fame, creates a collection of uniquely delicious dessert recipes (with step-by-step assembly guides) that give readers all they need to make their own edible masterpieces. From a fudge pop based on an Ellsworth Kelly sculpture to a pristinely segmented cake fashioned after Mondrian’s well-known composition, this collection of uniquely delicious recipes for cookies, parfait, gelées, ice pops, ice cream, cakes, and inventive drinks has everything you need to astound friends, family, and guests with your own edible masterpieces. Taking cues from modern art’s...
City by the Bay
San Francisco holds a special place in the American imagination. Throughout the decades, the Golden Gate has seduced scores of people who have come seeking fortune and freedom. Its steep streets and salty characters have inspired some of the most acclaimed artists and writers of our time. Pairing great works of art with literature that evokes the city's cosmopolitan charm, this book celebrates all the things that make San Francisco one of the most intriguing places in the world. City by the Bay features stunning masterpieces of photography, painting, and graphic arts all drawn from the world-renowned collection of the San Francisco Museum of Modern Art. Poignant passages from classic and con...
Diego Rivera
In 1931, Diego Rivera was the subject of The Museum of Modern Art's second monographic exhibition, which set attendance records in its five-week run. The Museum brought Rivera to NewYork six weeks before the opening and provided him a studio space in the building. There he produced five 'portable murals' - large blocks of frescoed plaster, slaked lime and wood that feature bold images drawn from Mexican subject matter and address themes of revolution and class inequity. After the opening, to great publicity, Rivera added three more murals, taking on NewYork subjects through monumental images of the urban working class. Published in conjunction with an exhibition that brings together key works from Rivera's 1931 show and related material, this vividly illustrated catalogue casts the artist as a highly cosmopolitan figure who moved between Russia, Mexico and the United States and examines the intersection of art-making and radical politics in the 1930s.
