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Diane Kurys
Carrie Tarr's analysis of the cinema of Diane Kurys is the first full-length study of this director, whose delightfully unsentimental reconstructions of the lives of girls and women in post-war France have established her as a distinctive presence in contemporary French film-making. Tarr traces Kurys' trajectory from actress to author, director and producer of her own films and situates her work within debates on women's film-making and female authorship. The book includes detailed readings of each of Kurys' films to date, from the evocation of growing up in the 1960s in Diabolo Menthe to the dilemmas facing contemporary women artists in A la Folie. The conclusion defines Kurys' "authorial signature" and discusses the extent to which she has been able to create a space for female subjectivity within the constraints of contemporary French culture.
Cinema and the Second Sex
Women's filmmaking in France has been a source of both delight and despair. On the one hand, the numbers are impressive – over 250 feature-length films were made by over 100 women directors in France in the 1980s and 1990s. On the other hand, despite the heritage of French feminism, French women directors characteristically disclaim their gender as a significant factor in their filmmaking. This incisive study provides an informative, critical guide to this major body of work, exploring the boundaries between personal films (intimate psychological dramas relating to key stages in life) and genre films (which demonstrate women's ability to appropriate and rework popular genres). It analyzes the effects of postfeminism, women's desire to enter the mainstream, and the impact of a new generation of filmmakers, enabling readers to take stock of the wealth and diversity of women's contribution to French cinema during the 1980s and 1990s.
Reframing difference
Reframing difference is the first major study of two overlapping strands of contemporary French cinema, cinema beur (films by young directors of Maghrebi immigrant origin) and cinema de banlieue (films set in France's disadvantaged outer-city estates). Carrie Tarr's insightful account draws on a wide range of films, from directors such as Mehdi Charef, Mathieu Kassovitz and Djamel Bensalah. Her analyses compare the work of male and female, majority and minority film-makers, and emphasise the significance of authorship in the representation of gender and ethnicity. Foregrounding such issues as the quest for identity, the negotiation of space and the recourse to memory and history, she argues that these films challenge and reframe the symbolic spaces of French culture, addressing issues of ethnicity and difference which are central to today's debates about what it means to be French. This timely book is essential reading for anyone interested in the relationship between cinema and citizenship in a multicultural society.
Plaisirs de Femmes
The pursuit of women's pleasures, often expected to be constrained under patriarchy, is potentially transgressive and linked to women's emancipation in other realms. This book explores a wide range of examples of women and pleasure in French and francophone culture, from novels to stand-up comedy.
A 'Belle Epoque'?
The period 1890 to 1910 was a period of lively, articulate and surprisingly radical feminist activity in France. It was also a time of intense artistic production, with women disproving the critical near-consensus that art was a masculine activity. This book explores this rich period of French women's history.
Women Filmmakers
This wide-ranging volume of new work brings together women filmmakers and critics who speak about what has changed over the past twenty years. Including such filmmakers as Margarethe von Trotta, Deepa Mehta, and Pratibha Parmar, and such critics as E. Ann Kaplan, this comprehensive volume addresses political, artistic, and economic questions vital
A Companion to Contemporary French Cinema
A Companion to Contemporary French Cinema presents a comprehensive collection of original essays addressing all aspects of French cinema from 1990 to the present day. Features original contributions from top film scholars relating to all aspects of contemporary French cinema Includes new research on matters relating to the political economy of contemporary French cinema, developments in cinema policy, audience attendance, and the types, building, and renovation of theaters Utilizes groundbreaking research on cinema beyond the fiction film and the cinema-theater such as documentary, amateur, and digital filmmaking Contains an unusually large range of methodological approaches and perspectives, including those of genre, gender, auteur, industry, economic, star, postcolonial and psychoanalytic studies Includes essays by important French cinema scholars from France, the U.S., and New Zealand, many of whose work is here presented in English for the first time
Screening Integration
North African immigrants, once confined to France’s social and cultural margins, have become a strong presence in France’s national life. Similarly, descendants of immigrants from Morocco, Algeria, and Tunisia have gained mainstream recognition as filmmakers and as the subject of films. The first collective volume on this topic, Screening Integration offers a sustained critical analysis of this cinema. In particular, contributors evaluate how Maghrebi films have come to participate in, promote, and, at the same time, critique France’s integration. In the process, these essays reflect on the conditions that allowed for the burgeoning of this cinema in the first place, as well as on the ...
Women, Immigration and Identities in France
This volume examines the relationship between gender and immigration within the multi-ethnic society in France, and also explores the wider personal and political issues at stake for women of immigrant origin.
Far-Flung Families in Film
This book fills this gap and provides an essential resource for academics and researchers with an interest in cinematic representations of the family and transnational cinema.
