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The Margins of Becoming
"... this volume offers work on an array of cultural moments which express the liminal nature of Taiwan's cultural life on the fault-lines of Asia and the West. The chapters offer a snapshot of the limits of what counts as 'Taiwan' and what is becoming Taiwan studies." -- p. 18.
The Many Faces of Taiwan's Cultural Diplomacy
This is a pioneering book on Taiwan's cultural diplomacy. It argues that cultural diplomacy is a subset of public diplomacy aiming to utilize useful cultural resources to demonstrate Taiwan's soft power so to increase the public's understanding and create positive impression toward Taiwan in the like-minded countries. It then identifies three effective areas to implement cultural diplomacy: films, music, and the academic field of Taiwan studies. Dr. Astrid Lipinsky is Managing Director of the Vienna Center for Taiwan Studies at University of Vienna, Austria.
Economic and Political Change in Asia and Europe
Since the 1973 publication of Alain Peyrefitte’s prophetic When China Awakens, developments in East Asia have outstripped even the wildest predictions. China has undergone the fastest industrialization and urbanization process in history, yet tensions there are rising as some realize how far they have been left behind. This volume explores the applicability of European economic and social models to our analysis of East Asia’s and, in particular, China’s situation. Though millions of Chinese and other Asian people have been lifted out of poverty, inequality is rising nonetheless, and contemporary Europe and Asia are both witnessing collective action against rampant economic neoliberalis...
Applied Ethnomusicology
Applied ethnomusicology is an approach guided by principles of social responsibility, which extends the usual academic goal of broadening and deepening knowledge and understanding toward solving concrete problems and toward working both inside and beyond typical academic contexts (International Council for Traditional Music 2007). This edited volume is based on the first symposium of the ICTM’s Study Group on Applied Ethnomusicology in Ljubljana, Slovenia in 2008 that brought together more than thirty specialists from sixteen countries worldwide. It contains a Preface, an extensive Introduction, and twelve selected peer-reviewed articles by authors from Australia, Austria, Canada, Germany,...
Transformation! Innovation?
Public discourse on cultural identity was not possible on the island of Taiwan until martial law was lifted there in 1987. While until then culture had mainly been an arena for the suppressed political discourse, the demise of the oneparty reign of the Guomindang (KMT) at the end of the 20th century signified not only the transformation from an autocratic to a democratic system but also the end of the cultural hegemony of the mainlanders on the island. The transformation process paved the way for further cultural innovation, the keywords here being education reform, language debate, establishment of new academic disciplines, historiographic reconstruction etc. It has also led to a widespread discussion of a specifically Taiwanese cultural identity which is reflected in literature, language, art, theatre and film. The international workshop "Transformation! - Innovation? Taiwan in her Cultural Dimensions", held at Ruhr University in Bochum from March 7th-9th 2001, set out to shed new light on these issues and generated an intensive discussion of potential new interdisciplinary approaches to cultural and literary research in the field of Taiwan studies.
Politics of Difference in Taiwan
Offering systematic coverage of major social groups including ethnic minorities, recent migrants, gay and lesbian groups, religious sects, and marginalized workers this is the first study to investigate the multiple facets of social domination in Taiwan and the ongoing struggles by minority groups to overcome subordination.
Hokkien Theatre Across The Seas
This book adopts a refreshing approach by examining Hokkien theatre in a region connected by maritime networks, notably southern Fujian, Taiwan, Kinmen and Singapore. It considers how regional theatre is shaped by broader socio-cultural and political contexts and the motivation to stay relevant in an era of modernisation and secularisation. Political domains are often marked out by land boundaries, but the sea concept denotes fluidity, allowing theatrical forms to spread across these ‘land-bounded’ societies and share a common language and culture. "This is an insightful theatrical study on the web of Chinese cultural networks in southern China and Singapore, and by extension, between Ch...
Literary History
Literary History: Towards a Global Perspective is a research project funded by the Swedish Research Council (Vetenskapsrådet). Initiated in 1996 and launched in 1999, it aims at finding suitable methods and approaches for studying and analysing literature globally, emphasizing the comparative and intercultural aspect. Even though we nowadays have fast and easy access to any kind of information on literature and literary history, we encounter, more than ever, the difficulty of finding a credible overall perspective on world literary history. Until today, literary cultures and traditions have usually been studied separately, each field using its own principles and methods. Even the conceptual...
Poetry, History, Memory
Wang Jingwei, poet and politician, patriot and traitor, has always been a figure of major academic and popular interest. Until now, his story has never been properly told, let alone critically investigated. The significance of his biography is evident from an ongoing war on cultural memory: modern mainland China prohibits serious academic research on wartime collaboration in general, and on Wang Jingwei in particular. At this critical juncture, when the recollection of World War II is fading from living memory and transforming into historical memory, this knowledge embargo will undoubtedly affect how China remembers its anti-fascist role in WWII. In Poetry, History, Memory: Wang Jingwei and ...
Imperial Decision-making and Communication in Early China
The emerging Chinese empire was faced with a dilemma typical for empires, be they Roman, Mesopotamian, or Carolingian. The realm was "won on horseback, but could not be ruled from horseback," as an advisor of the Han dynasty put it. Military conquest had to be buttressed by a convincing legitimation of the supreme rule, including certain forms of power sharing, as well as by the establishment of a courtly protocol and a bureaucracy that provided for both a smooth operation of government and checks and balances. Here, the communication to and from the imperial court attained a crucial role. This study identifies the characteristics of different types of documents - imperial edicts as well as memorials, petitions, etc. - that helped to shape imperial policies. It contrasts a classification of documents by the famous intellectual Cai Yong (second century A.D.) with the remnants of courtly communication in the received sources and is able for the first time to make sense of the terse explanations that have long baffled historians of ancient China.
