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American art museums flourished in the late twentieth century, and the impresario leading much of this growth was J. Carter Brown, director of the National Gallery of Art in Washington, DC, from 1969 to 1992. Along with S. Dillon Ripley, who served as Smithsonian secretary for much of this time, Brown reinvented the museum experience in ways that had important consequences for the cultural life of Washington and its visitors as well as for American museums in general. In Capital Culture, distinguished historian Neil Harris provides a wide-ranging look at Brown’s achievement and the growth of museum culture during this crucial period. Harris combines his in-depth knowledge of American histo...
THE WANTON In which Lieutenant Al Wheeler must figure out -who killed the youngest member of the Randall family by hanging her from a tree -what the mysterious "W" brand on her neck signifies -who's next as the Randalls are each threatened with a similar fate THE DAME In which Lieutenant Al Wheeler is called upon to -discover who murdered the secretary of famous actress, Judy Manners -find out who is lying about the signed contracts which the producer claims are legit -maneuver his way around Camille, the mistress of Judy's philandering husband THE DESIRED In which Lieutenant Al Wheeler finds himself in the midst of murder -when he almost collides with a car with a dead body in its trunk -involving a beautiful, spoiled vixen who had been driving the car -with a prime patsy for the killing in the form of the vixen's labor boss father
Brings together for the first time essays that consider a range of high-profile cases of literary hoaxing, identity crisis or imposture in Australian literature. Critics explore the history of hoaxing and imposture, and consider the cultural and political issues at stake. Nolan at Australian Catholic University.
The decades leading up to England's first permanent American colony saw not only territorial and commercial expansion but also the emergence of a vast and heterogeneous literature. In the multiple relations of writing to discovery over these decades, these texts played a role more powerful than that of simple recording. They needed to establish certain realities against a background of scepticism - the possibility of discovery, the lands discovered, the intentions and experiences of the discoverers - and they also had to find ways of theorizing their enterprise. Yet conceiving of the American enterprise positively or even survivably proved surprisingly difficult; the voyage narratives evolved almost from the outset as a genre concerned with recuperating failure - as noble, strategic, even as a form of success. Reception of these texts from the Victorian era on has often accepted their claims of heroism and mastery; through a careful re-reading, Mary Fuller argues for a more complicated, less glorious history.
An A-to-Z reference guide to the people, places, policies, and events significant during the presidency of Jimmy Carter.
"In 1992, the Newport Art Museum assembled an exhibition of 223 portraits of Newporters painted over a period of three centuries. It presented not just a gallery of the Newport elite and some of its haute bourgeoisie, but also a showcase of the most famous portraitists and portrait styles throughout United States history. Artists represented in this collection range from the great colonial portraitists Gilbert Stuart, Robert Feke, and John Singleton Copley to such modern figures as Diego Rivera, Larry Rivers, and Andy Warhol."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This new volume in UQP's History of the Book in Australia series explores Australian book production and consumption from 1946 to the present day. In the immediate postwar era, most books were imported into a colonial market dominated by British publishers. Paper Empires traces this fascinating and volatile half-century, using wide-ranging resea...
A biography of Pamela Churchill Harriman, based on over 800 interviews and archival research, charting her life from marriage to Churchill’s son, Randolph, through two further marriages to her eventual appointment as US Ambassador to France.
Inventing Americans in the Age of Discovery traces the linguistic, rhetorical, and literary innovations that emerged out of the first encounters between Europeans and indigenous peoples of the Americas. Through analysis of six texts, Michael Householder demonstrates the role of language in forming the identities or characters that permitted Europeans (English speakers, primarily) to adapt to the unusual circumstances of encounter. Arranged chronologically, the texts examined include John Mandeville's Travels, Richard Eden's English-language translations of the accounts of Spanish and Portuguese discovery and conquest, George Best's account of Martin Frobisher's voyages to northern Canada, Ra...
In 1851, Crow Dog and his Comanche tribe take Sara Johns hostage; but after only seven months, they cast Sara and her mysterious doll aside fearing they are Death Spirits. While the Reconstruction Era is passing into history, some speak of Sara as Confederate campfire trash, still others tell of her sheer elegance, her abilities as a deadly gunfighter, or her perceptive business instincts. In 1876, after spending twenty-five years alone, Sara falls in love with Tierel Slaughter, a wealthy and respected Arkansas rancher. However, Tierel Slaughter is an alias for Frank Cobb, a man who believes he has successfully hidden his past from everyone, including Sara Johns. Known by the Comanche as the Far Rider, Sara Johns, Tierel Slaughter, their friends, and their enemies, are all destined to travel Crow Dog's Trail of Life . . . and death, in this story of lies, deception, jealousy, cheating, and murder.