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Winning the Dust Bowl
In a memoir in prose and poetry, the author traces his development from a poor Oklahoma farm boy during the depths of the Depression to a respected medieval scholar and outstanding Native American poet.
How the Songs Come Down
Revardâe(tm)s poems are more like those of Seamus Heaney than those of Paul Muldoon âe" more like Robert Frost than Wallace Stevens, more like Mark Twain than Henry James. They are true stories, some from time on the Osage Reservation during Dust Bowl days, some from the Isle of Skye in Hippie Time, others from Creation Time in Las Vegas with Trickster, at the Hotel Empire in Manhattan with Dante, under dragons flying over St. Louis, dodging bullets while stealing watermelons, listening to humpbacked whales and wine-throated hummingbirds in Bellagio, parading with the Veterans of Foreign Wars to publicize some powwow in the old Indian-fighter headquarters at Jefferson Barracks on the Mississippi, sitting with Ponca cousins in a bar and hoping not to get shot after the occupation of Wounded Knee. The reason for every poem in this marvellous selection is to invite readers into its personal, familial, communal space to feast with the Ponca people and Revard on whatever they have on the table. These poems are all for having some kind of good time together, and the more the merrier.
An Eagle Nation
Poems set in Oklahoma, Oxford University, and elsewhere deal with life as an Osage Indian, a Rhodes scholar, and a professor of medieval English literature
American Indian Literature
A collection of Native American literature features myths, tales, songs, memoirs, oratory, poetry, and fiction from the present as well as the past
Speak to Me Words
Although American Indian poetry is widely read and discussed, few resources have been available that focus on it critically. This book is the first collection of essays on the genre, bringing poetry out from under the shadow of fiction in the study of Native American literature. Highlighting various aspects of poetry written by American Indians since the 1960s, it is a wide-ranging collection that balances the insights of Natives and non-Natives, men and women, old and new voices.
Family Matters, Tribal Affairs
Carter Revard was born in the Osage Indian Agency town of Pawhuska, Oklahoma. He won a radio quiz scholarship to the University of Tulsa, was awarded a Rhodes Scholarship, and in 1952 was given his Osage name by his grandmother and the tribal elders. How his family coped with the dizzying extremes of the Great Depression and the Osage Oil Boom and with small-town life in the Osage hills is the subject of this book. It is about how Revard came to be a writer and a scholar, how his Osage roots have remained alive, about the alienation of being an Indian who "didn't look Indian, " and about finding community, even far from home. Above all, this is a book about identity, about an Osage son who grew up to find that the world is neither Indian nor white but many colors in between.
The Native American Renaissance
The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination...
Follow the Blackbirds
In language as perceptive as it is poignant, poet Gwen Nell Westerman builds a world in words that reflects the past, present, and future of the Dakota people. An intricate balance between the singularity of personal experience and the unity of collective longing, Follow the Blackbirds speaks to the affection and appreciation a contemporary poet feels for her family, community, and environment. With touches of humor and the occasional sharp cultural criticism, the voice that emerges from these poems is that of a Dakota woman rooted in her world and her words. In this moving collection, Westerman reflects on history and family from a unique perspective, one that connects the painful past and the hard-fought future of her Dakota homeland. Grounded in vivid story and memory, Westerman draws on both English and the Dakota language to celebrate the long journey along sunflower-lined highways of the tallgrass prairies of the Great Plains that returns her to a place filled with “more than history.” An intense homage to the power of place, this book tells a masterful story of cultural survival and the power of language.
A Study Guide for Carter Revard's "Birch Canoe"
A Study Guide for Carter Revard's "Birch Canoe," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
Survivance
In this anthology, eighteen scholars discuss the themes and practices of survivance in literature, examining the legacy of Vizenor's original insights and exploring the manifestations of survivance in a variety of contexts. Contributors interpret and compare the original writings of William Apess, Eric Gansworth, Louis Owens, Carter Revard, Gerald Vizenor, and Velma Wallis, among others.
